Archief - Tijdschrift voor Muziektheorie, 2008, Volume 13

Nummer 1
Preface, Steven Vande Moortele [PDF]

On the Concept of Improvisation in the World’s Musics – An Informal Talk, Bruno Nettl [PDF]

Improvisation as an Analytic Category, Brian Hulse [PDF]

The Canonisation of Recorded Improvisations and its Impact on Performance Practice, Matthew Lovett [PDF]

Improvisation, Change, Works, and Ragas, Wim van der Meer [PDF]

Improvisation as Verbalization: The Use, Function, and Meaning of Pauses in the Turkish Taksim, Yoram Arnon [PDF]

Improvisation: Between the Musical and the Social, Marcel Cobussen [PDF]

Analyzing the Music of the Art Ensemble of Chicago, Paul Steinbeck [PDF]

An Alternative Temporal Approach to Jazz Improvisation in the Music of Andrew Hill, Zachary Wallmark [PDF]

A Cognition-Based Pedagogy of Improvisation for Post-Secondary Education, Scott Spiegelberg [PDF]

Contiguous Fundamental Bass Progressions, Karst de Jong, Thomas Noll [PDF]

„Von dem Fantasiren“: Methodik der stilgebundenen Improvisation nach Jacob Adlung, Markus Schwenkreis [PDF]

Functions and Performance Practice of Improvised Nineteenth-Century Piano Preludes, Shane Levesque [PDF]

Nummer 2
Messiaen as Improviser, Vincent Benitez [PDF]

Analysis as Mediated Immediacy: Adorno, Hepokoski & Darcy, and the Dialectics of Music Analysis, Jan Christiaens [PDF]

Dynamic Accounts of Polyphony in Sixteenth-Century Music Theory, Simon van Damme [PDF]

Boekbesprekingen
Robert O. Gjerdingen, Music in the Galant Style, Hans Aerts [PDF]

Andreas Kissenbeck, Jazztheorie I: Harmonik und Skalen, Edwin Paarlberg [PDF]

Nummer 3
Reconciling Postmodernism and Analysis, Uri Sala [PDF]

Unfolding the Pocket, Neutralizing the Lyrical: Contrabass Guitarist Anthony Jackson and the Aesthetics of Modernism, Sander van Maas [PDF]

Complex Transmission in a Literate Music Tradition: A Case Study, Rokus de Groot [PDF]

Boekbesprekingen
Muziek, tekst, analyse en betekenis David LewinStudies in Music with Text, Steven Vande Moortele [PDF]

Discussies
Wat een evolutionistische benadering kan zeggen over (de) Nieuwe Muziek, Herman Sabbe [PDF]

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