Experimental Affinities in Music
Edited by Paulo de Assis, introduction by Paulo de Assis, contributions by Lydia Goehr, Felix Diergarten, Martin Kirnbauer, Mark Lindley, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, interviewee Helmut Lachenmann, Leon Fleisher, and Frederic Rzewski, and interviewer Luk Vaes
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Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries.
The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples.
Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinitiessuggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics.
The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Paulo de Assis (Orpheus Institute, Ghent), Thomas Christensen (University of Chicago), Hermann Danuser (Humboldt University), Felix Diergarten (Schola Cantorum Basiliensis), Leon Fleisher (pianist), Lydia Goehr (Columbia University), Martin Kirnbauer (University of Basel), Lawrence Kramer (Fordham University), Helmut Lachenmann (composer), Mark Lindley (University of Hyderabad), Frederic Rzewski (pianist-composer), Luk Vaes (Orpheus Institute, Ghent), Edward Wickham (St Catharine’s College, Cambridge)
Format: Edited volume - paperback
Size: 285 × 190 mm
Publication: March 21, 2016
Series: Orpheus Institute Series
Stock item number: 107648
Thomas Christensen is Professor of Music and the Humanities at the University of Chicago.