Music Theory and Analysis Volume 3 Issue II, 2016 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Steven Vande Moortele

Regular price Sale

Journal - e + print

Volume 3 Issue 2 available October 2016
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
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Institutional online & print: € 140,00
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Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Table of Contents
Music Theory & Analysis | Volume 3, # 2, October 2016
Keynote article
Kevin Korsyn, At the Margins of Music Theory, History, and Composition: Completing the Unfinished Fugue in Die Kunst der Fuge by J. S. Bach

Anne-Emmanuelle Ceulemans, Fétis and the Idea of Progress in Music
David Clarke, Musical Indeterminacy and Its Implications for Music Analysis: The Case of Cage’s Solo for Piano

Analytical vignettes
Joan Huguet, Thematic Redundancy, Registral Connections, and Formal Expectations in the Finale of Beethoven’s Op. 14 No. 1
Rebecca Perry, Thematic Simultaneity and Structural Ambiguity in the Second Movement of Prokofiev’s Piano Sonata No. 4, Op. 29

Joel Lester, On Reading Music Theories from the Past

Book reviews
Massimiliano Guido, Review of Ludwig Holtmeier, Johannes Menke, and Felix Diergarten, eds, Solfeggi, Bassi e Fughe: Georg Friedrich Händels Übungen zur Satzlehre.
Sherry D. Lee, Review of Stephen Downes, ed., Aesthetics of Music: Musicological Perspectives.

Format: Journal - e + print

146 pages

ISBN: 9789461652065

Publication: October 31, 2016

Series: Music Theory and Analysis 3.2

Languages: English

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
Steven Vande Moortele is hoofddocent muziektheorie en vice-decaan onderzoeksbeleid aan de muziekfaculteit van de University of Toronto, waar hij ook directeur is van het Centre for the Study of Nineteenth-Century Music.

Steven Vande Moortele is associate professor of music theory at the Faculty of Music at the University of Toronto, where he is also the director of the Centre for the Study of Nineteenth-Century Music.