Music Theory and Analysis Volume 6 Issue 1, 2019 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth

Regular price Sale

Journal - e + print

Volume 6 Issue 1, 2019
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
For more information or to sign up for a subscription, contact or go to
Online journal with a print edition
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 6, # I, April 2019


Gilad Rabinovitch, Implicit Counterpoint in Gjerdingen’s Schemata

Uri B. Rom, “To Gild Refined Gold,” or What Mozart Didn’t Want Us to Embellish

Catherine Losada, “Nécessité d’une orientation esthétique”: Techniques of Development in the Music of Boulez

Analytical Vignette

Áine Heneghan, The Theme of Webern’s Variationen für Klavier, Op. 27, Third Movement

Colloquy: Wye Allan brook’s Secular Commedia

Edmund J. Goehring, Matter over Mind in The Secular Commedia

Nathan John Martin, Of Polyps and Plenitude

James R. Currie, The Livable Eighteenth Century

Format: Journal - e + print

Size: 254 × 178 × 10 mm

191 pages

ISBN: 9789461652881

Publication: November 29, 2019

Series: Music Theory and Analysis 6.1

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.