Music Theory and Analysis Volume 5 Issue 1, 2018 (Journal Subscription)
International Journal of the Dutch-Flemish Society for Music Theory
Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth
Journal - e + print
Individual online only: € 55,00
Table of Contents
Music Theory & Analysis | Volume 5, # I, April 2018
John Muniz, Transformation at the Margins of Tonality: Scriabin’s Seventh Piano Sonata, Op. 64
William Watson, Philippe de Vitry, Levi ben Gershon, and the Consonant Whole Tone
Scott Murphy, A Remarkable Non-Duplication of Stretto in J.S. Bach’s “The Art of Fugue”
Manfred Hermann Schmid, On the Prinner Schema and Its Name
Thomas Christensen, Review of Nathalie Meidhof, Alexandre Étienne Chorons Akkordlehre: Konzepte, Quellen, Verbreitung
Seth Monahan, Review of Steven Vande Moortele, The Romantic Overture and Musical Form from Rossini to Wagner
William O’Hara, Review of David Bard-Schwarz and Richard Cohn, eds., David Lewin’s Morgengruß: Text, Context, Commentary
Format: Journal - e + print
Size: 254 × 148 mm
Publication: October 08, 2018
Series: Music Theory and Analysis 5.1
Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.
Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.