Aesthetico-Epistemic Operators in Artistic Research
Edited by Michael Schwab and contributions by Annette Arlander, Paulo de Assis, Rosi Braidotti, Leif Dahlberg, Lucia D'Errico, Mika Elo, Laura Gonzalez, Esa Kirkkopelto, Yve Lomax, Cecile Malaspina, Tor-Fin Malum Fitje, Dieter Mersch, David Pirró, Hans-Jörg Rheinberger, Hanns Holger Rutz, Michael Schwab, and Birk Weiberg
(including 6% VAT)
Edited volume - paperbackVIEW Edited volume - free ebook
New modes of epistemic relationships in artistic research
Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions.
Under the heading transposition, seventeen artists,
musicians, and theorists explain how one thing may turn into another in a
spatio-temporal play of identity and difference that has the power to expand
into the unknown. By connecting materially concrete positions in a way familiar
to artists, this book shows how moves can be made between established positions
and completely new ground. In doing so, research changes from a process that
expands knowledge to one that creatively reinvents it.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D’Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts)
Speculations on Transpositional Photography
Transpositionality and Artistic Research
Transduction and Ensembles of Transducers: Relaying Flows of Intensities
Alchemistic Transpositions: On Artistic Practices of Transmutation and Transition
Without Remainder or Residue: Example, Making Use, Transposition
Format: Edited volume - paperback
Size: 285 × 190 × 25 mm
Publication: July 27, 2018
Series: Orpheus Institute Series
Stock item number: 123187
Michael Schwab teaches at the Royal College of Art in London and the Zurich University of the Arts. He is a Researcher at the Orpheus Institute as well as the founding Editor-in-Chief of the Journal for Artistic Research (JAR).
Paulo de Assis is a researcher affiliated with the Orpheus Institute of Ghent. He is an experimental performer, pianist and music philosopher, with transdisciplinary interests in composition, philosophy, psychoanalysis and epistemology.