The overlooked history of modern church architecture in post-war Australia
Over 1,650 churches were built in Queensland, Australia, between 1945 and 1977. They constitute some of the most notable modern architecture in the state and reveal tensions surrounding modernism’s role in cultural expression and regional identity. While much research has focused on post-war modern church architecture in the Global North, little has been done on the Global South.
This book offers a particular perspective on modernist church architecture, differing from accounts of buildings in the northern hemisphere, as it highlights how church architecture in Queensland was shaped by its very specific time and place – a young and developing state covering a vast area of land, sparsely populated, highly multi-denominational and located in the antipodes.
Modern architectural developments and emergent religious ideas did not simply transfer to Queensland. Rather, architectural ideas were circulated globally, allowing for a global narrative. This landmark study seeks to broaden views and methods for future research, both locally and internationally. Richly illustrated, Constructing Faith in the Antipodes combines both a chronological and a thematic approach to narrate modern church architectural history and offers a fascinating glimpse into a distinct collection of modern church buildings.
Foreword by Janina Gosseye
Preface
Acknowledgements
Introduction
Part I
1. “New World, Youthful” Queensland and Early (Pre-World War II)
Modern Church Architecture
2. “Recovering” Queensland and Church Architecture:
Post-War Church Design 1945–1954, Setting the Scene
3. “Optimistic” Queensland and Church Architecture:
A Church Building Boom, 1955–1959
4. “Modernising” Queensland and Church Architecture:
Modern Church Architecture, 1960–1964
5. “Liturgically Modern” Queensland Church Architecture:
Liturgically Responsive Church Architecture, 1965–1977
Part II
6. From Hilltop Landmarks to Suburban Place Makers:
Brisbane’s Post-War Religious Territories and Communities
7. Experiments with Form:
Queensland’s Innovative and Technically Progressive Ecclesiastical Beacons
8. In Support of Liturgical Renewal:
Designing Worship Spaces and Furnishings
9. Seeking to Reinvigorate Worship:
Integrating Modern Religious Art in Queensland’s Post-War Churches
Conclusion
Abbreviations
Bibliography
Index
With a rapidly growing population in the post-war era the Australian State of Queensland built an astonishing number of churches in the modern idiom. Lisa Marie Daunt’s rigorous and comprehensive study shows how good many of these churches are and how well connected with the international architectural and liturgical discourse of their time. Daunt’s research, covering as it does every building of every denomination and every flavour of modernism, leads to powerful insights. Constructing Faith in the Antipodes is much more than a regional study; rather the size of the corpus of buildings, their high quality and Daunt’s astute analysis means that this book is an important addition to the global history of ecclesiastical architecture. - John Macarthur, The University of Queensland
Lisa Daunt’s thorough and comprehensive historical research is impressive. Her book Constructing Faith in the Antipodes is inclusive, embracing a wide range of denominations and communities, and considering church types from traditional cathedrals to modern chapels, in cities and expanding suburbs as well as remote rural settlements. The context of twentieth-century Australia is unique and distinctive in many ways, and Daunt’s book provides a fresh and original view of the broader history of church architecture. - Robert Proctor, University of Bath
For those who simply cannot see enough pictures of unfamiliar post-war churches, Lisa Marie Daunt's new book on those in Queensland will come as a delight. As well as providing an authoritative history of many international and regional aspects of church design, copious colour photographs of these buildings and their details appear almost on every page. Australian variations on all the familiar styles are here, from byzantine and concrete basilicas to modernist designs clearly inspired by the work of Liam McCormick and Ronald Weeks at Clifton. - Timothy Brittain-Catlin, C20 Magazine, Issue 2026/1
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