The Visionary Art of Franco-Belgian Comics, 1930s to 1960s

Exhibition catalogue ‘Visionary Comics: The collection of Alain Van Passen’, Comic Art Museum – Brussels, 16.09.25 – 07.12.25

Hidden within the millions of panels and magazine pages collected by Alain Van Passen, a devoted Belgian comics collector active from the earliest days of the comics clubs, lies a long-forgotten history of vibrant, surrealist, and even ‘visionary’ images. His pristine collection, built over decades of searching and exchanging comics, offers unprecedented insight into the diverse trajectories of twentieth-century popular publishing. Focusing on comics magazines published between 1935 and 1965, this catalogue reveals a ‘lost world’ of French and Belgian comics, as well as the translations and reworkings of American, British and Italian strips. Ten concise and colourful chapters introduce readers to the zany and fascinating pages and panels across genres such as humour, science fiction, history and adventure. Shedding light on often-forgotten or little-known artists, this volume traces a counter-history of French-language comics. Richly illustrated with largely unseen material, it offers the reader an introduction to the visionary art of French-language comics.

Foreword by Dan Nadel and afterword by Tine Anthoni.

This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

"The Visionary Art of Franco-Belgian Comics, 1930s to 1960s" was written by Jan Baetens, Benoît Crucifix, Felipe Muhr and Eva Van de Wiele.

Jan Baetens is professor of Literature and Cultural Studies at KU Leuven.

Eva Van de Wiele is postdoctoral researcher on the ERC project "Children in Comics" of Prof. Maaheen Ahmed at Ghent University.

"The Visionary Art of Franco-Belgian Comics, 1930s to 1960s" was edited by Hugo Frey and Maaheen Ahmed.

Hugo Frey is professor of cultural and visual history at the University of Chichester. He is a cultural and political historian who has published widely on comics, graphic novels, art history and cinema.

Maaheen Ahmed is an associate professor of comparative literature at Ghent University, specialised in comics and graphic novels, periodicals, children’s culture and intermediality.

Yes, "The Visionary Art of Franco-Belgian Comics, 1930s to 1960s" is part of the "Studies in European Comics and Graphic Novels" series.

All volumes will be published in English, but the comics and graphic novels under investigation will be of any European language and from any European culture. Like graphic novels and comics, Europe itself is hard to define, and the approach for the series will be open and not overly prescriptive.

Series editors

Jan Baetens, KU Leuven
Hugo Frey, University of Chichester
Maaheen Ahmed, Ghent University

Editorial Board

The editorial board is composed of leading scholars from literature, visual arts, and historical studies:
Bart Beaty (University of Calgary)
Christopher Pizzino (University of Georgia)
Ann Miller (University of Leicester).

Proposals

Proposals and enquiries can be sent to the series editors.
Please make use of the submission form to present your manuscript or proposal to our board.
Authors interested in Open Access can consult the available funding options.

Links & Resources

Errata, p. 250. Van Passen did not found the Belgian Comics Club but was one of several founding members. It was Pierre Vankeer who was encouraged by Lacassin to form the club; p. 265 Michel Ferrol’s name was misspelled as Michel Ferrand.

Foreword
Dan Nadel

Acknowledgements

Introduction. The Visionary Art of Franco-Belgian Comics, 1930s to 1960s
Hugo Frey

Chapter One. Enter the European Superhero
Maaheen Ahmed

Chapter Two. The War Comics
Hugo Frey

Chapter Three. Wacky Inventions, Extraordinary Science, and Eccentric Professors
Maaheen Ahmed

Chapter Four. Slapstick: Crazy Fights, Memorable Accidents
Eva Van de Wiele

Chapter Five. Topsy-Turvy Worlds: Carnivalesque Children and Talking Animals
Maaheen Ahmed

Chapter Six. The Earth Trembles: Dino Comics and Palaeo-Utopias
Felipe Muhr

Chapter Seven. “Overcrowded” Comics Skies: The Mesmerising Aviation Comics
Hugo Frey

Chapter Eight. Fantastical Landscapes and Disturbing Places: The Surreal Geographies of Adventure
Hugo Frey

Chapter Nine. A Graphic Kaleidoscope: Experiments in Form
Benoît Crucifix

Chapter Ten. Literary Adaptations, or Something Else?
Jan Baetens

Alain Van Passen “In His Own Words”
Interview conducted, edited, and translated by Hugo Frey and Maaheen Ahmed

A Unique Collection: An Interview with Philippe Capart
Interview conducted, edited and translated by Jan Baetens

Afterword
Tine Anthoni

Contributors
Works Cited
Index

The Digital Object Identifier (DOI) for "The Visionary Art of Franco-Belgian Comics, 1930s to 1960s" is 10.11116/9789461666864.