The Theatre in the Middle Ages

W. Braet (Author), Gilbert Tournoy (Author), Johan Nowé (Author),

Series: Mediaevalia Lovaniensia 13

Category: History, History 500-1500

Language: English

ISBN: 9789061861751

Publication date: January 1, 1985

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Size: 240 x 160 x mm

Stock item: 46282

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The present volume offers a collection of studies intended to give an overall picture of the International Colloquium on Medieval Theatre organized by the ‘Instituut voor Middeleeuwse Studies’ of the ‘Katholieke Universiteit Leuven’. The reader will probably remark upon the fact that studies on medieval drama are as flourishing and diversified as their object itself once was. From liturgical drama to pageant, from nativity play to mystery, from latin comedy to ‘sottie’, morality and farce, one discovers here the various aspects of an output that covers more than five centuries. This selection hopefully represents a cross-section of contemporary work in the field. As methods evolve and ways of reading change, the subject reveals itself as something for ever old and new… Thus a number of contributors emphasize a formal approach. Both the analysis of a dramatic production as a structured entity – from the larger viewpoint of scenic organization right down to the level of verse or even rime – and as an actual performance, continue to shed valuable light on the theatrical event in its generic and historical context.

Acta est fabula. By way of Preface

Walter Berschin, Passio und Theater. Zur dramatischen Struktur einiger Vorlagen Hrotsvits von Gandersheim

Sandro Sticca, Sacred Drama and Tragic Realism in Hrotswitha’s Paphnutius

Ferruccio Bertini, Simbologia e struttura drammatica nel Gallicanus e nel Pafnutius

Ludwig Braun, Die ‘dramatische’ Technik des Vitalis von Blois und sein Verhältnis zu seinen Quellen

Jean-Pierre Bordier, Le fils et le fruit. Le Jeu d’Adam entre la théologie et le mythe

Jacques Ribard, Théâtre et symbolisme au XIIIe siècle

Rosanna Brusegan, Le Jeu de Robin et Marion et l’ambiguité du symbolisme champêtre

Elisabeth Schulze-Busacker, Le théâtre occitan au XIVe siècle: le Jeu de Sainte Agnès

Giuseppe Di Stefano, Structure métrique et structure dramatique dans le théâtre médiéval

Jean-Claude Aubailly, Théâtre et rite: réflexions sur les structures symboliques de la sottie-spectacle

Jean Batany, Allégorie et typologie: le Tiers Etat dans quelques sotties et moralités

Hans van Dijk, The Structure of the ‘Sotternieën’ in the Hulthem Manuscript

Franco Musarra, Strutture drammatiche della lauda

Johan Nowé, Kult oder Drama? Zur Struktur einiger Osterspiele des deutschen Mittelalters

Rolf Bergmann, Aufführungstext und Lesetext. Zur Funktion der àœberlieferung des mitelalterlichen geistlichen deutschen Dramas

John E. Tailby, Die Luzerner Passionsspielaufführung des Jahres 1583: zur Deutung der Bühnenpläne Renward Cysats

Alexandra F. Johnston, The York Corpus Christi Play: A Dramatic Structure Base don Performance Practice

Index codicum manu scriptorum

Index nominum selectorum

W. Braet

Gilbert Tournoy

Gilbert Tournoy is emeritus professor of Classical, Mediaeval and Renaissance Latin at KU Leuven.

Johan Nowé

Frequently Asked Questions

What is "The Theatre in the Middle Ages" about?

The present volume offers a collection of studies intended to give an overall picture of the International Colloquium on Medieval Theatre organized by the ‘Instituut voor Middeleeuwse Studies' of the ‘Katholieke Universiteit Leuven'. The reader will probably remark upon the fact that studies on medieval drama are as flourishing and diversified as their object itself once was. From liturgical drama to pageant, from nativity play to mystery, from latin comedy to ‘sottie', morality and farce, one discovers here the various aspects of an output that covers more than five centuries. This selection hopefully represents a cross-section of contemporary work in the field. As methods evolve and ways of reading change, the subject reveals itself as something for ever old and new... Thus a number of contributors emphasize a formal approach. Both the analysis of a dramatic production as a structured entity - from the larger viewpoint of scenic organization right down to the level of verse or even rime - and as an actual performance, continue to shed valuable light on the theatrical event in its generic and historical context.

Who wrote "The Theatre in the Middle Ages"?

"The Theatre in the Middle Ages" was written by W. Braet, Gilbert Tournoy and Johan Nowé.

Gilbert Tournoy is emeritus professor of Classical, Mediaeval and Renaissance Latin at KU Leuven.

Is "The Theatre in the Middle Ages" part of a series?

Yes, "The Theatre in the Middle Ages" is part of the "Mediaevalia Lovaniensia" series. It's book 13 in the series.

GPRC

The longstanding, peer-reviewed book series Mediaevalia Lovaniensia. Studies in Medieval History, Society, and Culture publishes high-quality scholarship on the history and culture of the Middle Ages (c. 500–1550). Topics of particular interest to the series include, but are not limited to, social behaviour and power relations in medieval society, processes of identity formation, religious and urban culture, medieval thought and literature, and gender history. The series focuses on Europe and the wider Mediterranean world and is particularly rich in interdisciplinary approaches. By means of monographs and edited volumes, the series explores thematic frontiers and embraces innovative methodological approaches in historical and philological scholarship that is based on an in-depth source-based study.

Mediaevalia Lovaniensia accepts monographs as well as thematically coherent volumes in English. Moreover, it offers scholars the possibility to publish critical editions of primary texts with broader relevance to the understanding of medieval culture and society. The series aspires to publish books that have the potential to become reference works in the field of Medieval Studies.

We encourage early career (postdoctoral) researchers to submit a reworked version of their PhD thesis to this series. Leuven University Press provides authors with two publishing scenarios: traditional (non-Open Access) and the option to publish in Open Access (including language editing).

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Proposals and enquiries can be sent to one of the editorial board members. Please send a short abstract. Upon approval of the proposal, the full manuscript will be submitted to international blind peer review by two (external) experts. The editors strive towards completing the review of proposals within one month and of complete manuscripts within five months after submission. Manuscripts should preferably be (+/-) 80.000 to 120.000 words in length.

Please make use of the submission form to present your manuscript or proposal to our board.
Authors interested in Open Access can consult the available funding options.

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What is the Table of Contents for "The Theatre in the Middle Ages"?

Acta est fabula. By way of Preface

Walter Berschin, Passio und Theater. Zur dramatischen Struktur einiger Vorlagen Hrotsvits von Gandersheim

Sandro Sticca, Sacred Drama and Tragic Realism in Hrotswitha's Paphnutius

Ferruccio Bertini, Simbologia e struttura drammatica nel Gallicanus e nel Pafnutius

Ludwig Braun, Die 'dramatische' Technik des Vitalis von Blois und sein Verhältnis zu seinen Quellen

Jean-Pierre Bordier, Le fils et le fruit. Le Jeu d'Adam entre la théologie et le mythe

Jacques Ribard, Théâtre et symbolisme au XIIIe siècle

Rosanna Brusegan, Le Jeu de Robin et Marion et l'ambiguité du symbolisme champêtre

Elisabeth Schulze-Busacker, Le théâtre occitan au XIVe siècle: le Jeu de Sainte Agnès

Giuseppe Di Stefano, Structure métrique et structure dramatique dans le théâtre médiéval

Jean-Claude Aubailly, Théâtre et rite: réflexions sur les structures symboliques de la sottie-spectacle

Jean Batany, Allégorie et typologie: le Tiers Etat dans quelques sotties et moralités

Hans van Dijk, The Structure of the 'Sotternieën' in the Hulthem Manuscript

Franco Musarra, Strutture drammatiche della lauda

Johan Nowé, Kult oder Drama? Zur Struktur einiger Osterspiele des deutschen Mittelalters

Rolf Bergmann, Aufführungstext und Lesetext. Zur Funktion der àœberlieferung des mitelalterlichen geistlichen deutschen Dramas

John E. Tailby, Die Luzerner Passionsspielaufführung des Jahres 1583: zur Deutung der Bühnenpläne Renward Cysats

Alexandra F. Johnston, The York Corpus Christi Play: A Dramatic Structure Base don Performance Practice

Index codicum manu scriptorum

Index nominum selectorum

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