Music Theory and Analysis Volume 5 Issue 1, 2018 (Journal Subscription)

Volume 5 Issue 1 available May 2018Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field. Online available via http://ingentaconnect.com/content/leuven/mtaAnnual subscription fees* Institutional online only: € 115,00 Institutional online & print: € 140,00
Individual online only: € 55,00 Individual online & print: € 70,00 For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.beOnline journal with a print editionBi-annually in April and OctoberOnline ISSN: 2295-5925Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 5, # I, April 2018

Articles

John Muniz, Transformation at the Margins of Tonality: Scriabin’s Seventh Piano Sonata, Op. 64

William Watson, Philippe de Vitry, Levi ben Gershon, and the Consonant Whole Tone

Analytical vignette

Scott Murphy, A Remarkable Non-Duplication of Stretto in J.S. Bach’s “The Art of Fugue”

Manfred Hermann Schmid, On the Prinner Schema and Its Name

Book reviews

Thomas Christensen, Review of Nathalie Meidhof, Alexandre Étienne Chorons Akkordlehre: Konzepte, Quellen, Verbreitung

Seth Monahan, Review of Steven Vande Moortele, The Romantic Overture and Musical Form from Rossini to Wagner

William O’Hara, Review of David Bard-Schwarz and Richard Cohn, eds., David Lewin’s Morgengruß: Text, Context, Commentary