Music Theory and Analysis Volume 2 Issue II, 2015 (Journal Subscription)

ISSN: 22955925

ISBN: 9789461651730

Publication date: October 31, 2015

€70.00 (including 6% VAT)

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Volume 2 Issue 2 available October 2015
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field. Online available via subscription fees* Institutional online only: € 115,00 Institutional online & print: € 140,00
Individual online only: € 55,00 Individual online & print: € 70,00 For more information or to sign up for a subscription, contact or go to www.mtajournal.beOnline journal with a print editionBi-annually in April and OctoberOnline ISSN: 2295-5925Print ISSN: 2295-5917

Table of Content Music Theory & Analysis | Volume 2, # 2, October 2015 Keynote article Michiel SCHUIJER, Music Theorists and SocietiesArticle Karl BRAUNSCHWEIG, Expanding the Sentence: Intersections of Theory, History, and AestheticsAnalytical vignettes Markus NEUWIRTH, Is There a “Musical Task” in the First Movement of Haydn’s “Oxford” Symphony? Voice-Leading Schemata and Intrinsic Formal Functions
Philip STOECKER, Harmony, Voice Leading, and Cyclic Structures in Thomas Adès’s “Chori”Colloquium report David LODEWYCKX, Focus on the Inner Circle: Report on the General Colloquium (Algemene Studiedag) of the Dutch-Flemish Society for Music Theory (11 April 2015, The Hague)Book Reviews Thomas CHRISTENSEN, Review of Rémy Campos, François-Joseph Fétis: musicographe John KOSLOVSKY, Review of L. Poundie Burstein, Lynne Rogers, and Karen M. Bottge, eds, Essays from the Fourth International Schenker Symposium, volume 2.
Catherine MOTUZ, Review of Barnabé Janin, Chanter sur le livre: manuel pratique d’improvisation polyphonique de la Renaissance (15ème et 16ème siècles)

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