Music Theory and Analysis Volume 11 Issue 2, 2024 (Journal Subscription)

Volume 11 Issue 2, 2024
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.

Online available via http://ingentaconnect.com/content/leuven/mta

Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00

Individual online only: € 55,00
Individual online & print: € 70,00
**
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be**
*
Online journal with a print edition*
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents Music Theory & Analysis | Volume 11, #II – october 2024

Articles
Ben Duinker, Teaching Form from the Performer’s Perspective
Caleb Mutch, Re-quantifying W. C. Printz’s Concept of Quantitas Intrinseca
Alon Schab, Vivaldi’s Opus 10 and his Chamber Concertos: A Study in Comparative Orchestration
W. Dean Sutcliffe, Haydn’s Wandering Sextuplets and Ideals of Melodic Eloquence

Vignettes
Xieyi (Abby) Zhang, Mutable Modes and Reinterpretable Recapitulations: Analytical Vignette of the Second Movement from Dvořák’s Piano Trio in F minor, Op. 65
Bjørnar Utne-Reitan, A Piece of Poetry? Agathe Backer Grøndahl’s “Sérénade”