Music Theory and Analysis Volume 3 Issue II, 2016 (Journal Subscription)

ISSN: 22955925

ISBN: 9789461652065

Publication date: October 31, 2016

€70.00 (including 6% VAT)

Buy Now Subscribe

SHARE

Volume 3 Issue 2 available October 2016
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field. Online available via http://ingentaconnect.com/content/leuven/mtaAnnual subscription fees* Institutional online only: € 115,00 Institutional online & print: € 140,00
Individual online only: € 55,00 Individual online & print: € 70,00 For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.beOnline journal with a print editionBi-annually in April and OctoberOnline ISSN: 2295-5925Print ISSN: 2295-5917

Table of Contents Music Theory & Analysis | Volume 3, # 2, October 2016 Keynote article Kevin Korsyn, At the Margins of Music Theory, History, and Composition: Completing the Unfinished Fugue in Die Kunst der Fuge by J. S. Bach
Articles Anne-Emmanuelle Ceulemans, Fétis and the Idea of Progress in Music David Clarke, Musical Indeterminacy and Its Implications for Music Analysis: The Case of Cage’s Solo for Piano
Analytical vignettes Joan Huguet, Thematic Redundancy, Registral Connections, and Formal Expectations in the Finale of Beethoven’s Op. 14 No. 1 Rebecca Perry, Thematic Simultaneity and Structural Ambiguity in the Second Movement of Prokofiev’s Piano Sonata No. 4, Op. 29
Pedagogy Joel Lester, On Reading Music Theories from the Past
Book reviews Massimiliano Guido, Review of Ludwig Holtmeier, Johannes Menke, and Felix Diergarten, eds, Solfeggi, Bassi e Fughe: Georg Friedrich Händels Übungen zur Satzlehre. Sherry D. Lee, Review of Stephen Downes, ed., Aesthetics of Music: Musicological Perspectives.

Related titles