Music Theory and Analysis Volume 11 Issue 1, 2024 (Journal Subscription)

Volume 11 Issue 1, 2024
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.

Online available via http://ingentaconnect.com/content/leuven/mta

Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00

Individual online only: € 55,00
Individual online & print: € 70,00
**
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be**
*
Online journal with a print edition*
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents Music Theory & Analysis | Volume 11, # I – May 2024

Introduction
Peter van Tour and Nicholas Baragwanath

Articles
Job IJzerman, Hexachord Solmization in the Classroom: A Revival of Old Practices
Valentina Anzani, Antonio Bernacchi (1685–1756): An Unconventional Singing Teacher
Nicholas Baragwanath, Note-Naming, Galant Schemata, and the “Thread” of Vivaldi’s Concerto for Four Violins, Op. 3 No. 10 (RV 580)
Robert O. Gjerdingen, Solfeggi with the “Simplest Melodies” Helped Introduce a Grammar of Schemas
Gilad Rabinovitch, Navigating Schemata and Hexachords: Case Studies from Solfeggi by Giuseppe Aprile
Peter van Tour, Solfeggi as Models for Instruction in Counterpoint and Fugue