Situational Aesthetics

Selected Writings by Victor Burgin

Alexander Streitberger (Editor),

Series: Lieven Gevaert Series 9

Category: Art, Media and Visual Culture, Photography

Language: English

ISBN: 9789058677686

Publication date: November 9, 2009

€10.00 (including 6% VAT)

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Number of pages: 400

Size: 240 x 160 x 20 mm

Stock item: 57113

Standard delivery time for print books:

For Belgium: 5 to 8 working days

For EU: 2 to 3 weeks

For other countries: 4 to 5 weeks

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Highly influential both as an artist and as a theoretician Victor Burgin figures amongst the most insightful thinkers on visual culture in recent times. His writings focus on the production of meanings and affects through images – at the intersections of subjective desire and sociopolitical organization – and cross a diversity of representational practices (photography, film, painting, advertising, television, the internet) and theoretical fields (semiotics, psychoanalysis, feminist theory, cultural studies). The essays in this volume provide a succinct overview of Burgin’s rich and multifaceted work during the last forty years – from its origins in debates within the Conceptual Art movement to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as ‘Situational Aesthetics’ and ‘Photographic Practice and Art Theory’, together with less widely-known articles such as ‘Work and Commentary’ and the previously unpublished essays ‘Shadows, Time and Family Pictures’ and ‘Monument and Melancholia’. The essays are arranged chronologically in sections to represent four salient phases of Burgin’s preoccupations: Conceptual art and photography; A psychical realism; The city and global media; Infinite film. Each section is preceded by an exchange between Victor Burgin and the book’s editor, Alexander Streitberger, to introduce the main lines of thought. Examples from Burgin’s visual works, selected by the editor in consultation with the artist, accompany each section.

Preface – Alexander Streitberger

The Psychotopological Text: Victor Burgin’s Writings in Perspective – Alexander Streitberger

Conceptual Art and Photography

Questions from Alexander Streitberger to Victor Burgin

Situational Aesthetics (1969)

Work and Commentary (1973)

Lei-Feng (1974)

Photographic Practice and Art Theory (1975)

A Psychical Realism

Questions from Alexander Streitberger to Victor BurginPhotography, Phantasy, Function (1980)

Olympia (1982)

Diderot, Barthes, Vertigo (1986)

Geometry and Abjection (1987)

The City and Global Media

Questions from Alexander Streitberger to Victor Burgin

Chance Encounters: Flâneur and Détraquée in Breton’s Nadja (1990)

The City in Pieces (1993)

Shadows, Time and Family Pictures (1996)

Watergate (2000)

The Perpetual Infinite Film

Questions from Alexander Streitberger to Victor Burgin

The Noise of the Marketplace (2003)

he Time of the Panorama (2005)

Monument and Melancholia (2008)

Solito Posto (2008)

About Solito Posto (2009)

Bibliography

Index of terminology

Alexander Streitberger

Alexander Streitberger is professor of art history at UCLouvain.

Burgin ontleedt vastgeroeste denkpatronen
Hij is het minder bekende broertje van conceptuele mastodonten als Joseph Kosuth of Dan Graham. Toch is hij niet minder belangrijk geweest.[...] Burgin excelleerde in de meest ongerijmde combinaties die er te maken zijn tussen beeld en kunst. [...] In zwart-wit foto's op groot formaat, met soms poëtische, soms theoretische teksten half door het beeld gedrukt, ontleed hij betekenissen van beelden of geeft ze juist een verrassend nieuwe betekenis.

Lucette ter Borg, NRC Handelsblad, 5 juni 2014

Frequently Asked Questions

What is "Situational Aesthetics" about?

Reduced Price!
Now only € 10,00 instead of € 29,50

Highly influential both as an artist and as a theoretician Victor Burgin figures amongst the most insightful thinkers on visual culture in recent times. His writings focus on the production of meanings and affects through images – at the intersections of subjective desire and sociopolitical organization – and cross a diversity of representational practices (photography, film, painting, advertising, television, the internet) and theoretical fields (semiotics, psychoanalysis, feminist theory, cultural studies). The essays in this volume provide a succinct overview of Burgin’s rich and multifaceted work during the last forty years – from its origins in debates within the Conceptual Art movement to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as ‘Situational Aesthetics’ and ‘Photographic Practice and Art Theory’, together with less widely-known articles such as ‘Work and Commentary’ and the previously unpublished essays ‘Shadows, Time and Family Pictures’ and ‘Monument and Melancholia’. The essays are arranged chronologically in sections to represent four salient phases of Burgin’s preoccupations: Conceptual art and photography; A psychical realism; The city and global media; Infinite film. Each section is preceded by an exchange between Victor Burgin and the book’s editor, Alexander Streitberger, to introduce the main lines of thought. Examples from Burgin’s visual works, selected by the editor in consultation with the artist, accompany each section.

Who edited "Situational Aesthetics"?

"Situational Aesthetics" was edited by Alexander Streitberger.

Alexander Streitberger is professor of art history at UCLouvain.

Is "Situational Aesthetics" part of a series?

Yes, "Situational Aesthetics" is part of the "Lieven Gevaert Series" series. It's book 9 in the series.

Named after a ground-breaking figure in the Belgian photography industry, the Lieven Gevaert Series is a peer reviewed series of  innovative books on photography. Launched in 2004, the LG Series takes into account the ubiquitous presence of photography within modern culture and, in particular, the visual arts. At the forefront of contemporary thinking on photography, the books offer new insights in the position of the photographic medium within the art historical, theoretical, social and institutional contexts.
The Lieven Gevaert Series is published by Leuven University Press, in collaboration with 'The Lieven Gevaert Research Centre for Photography, Art and Visual Culture' at Katholieke Universiteit Leuven and Université catholique de Louvain (www.lievengevaertcentre.be).

The series covers four types of publications:

  • outstanding monographic studies
  • multi-authored volumes on a specific topic
  • book length projects with artists
  • translations and/or reprints of classic texts.

All books are published in English and are written for an international audience of scholars.

Format

All books in the series are published in 17*23 cm paperback with French flaps, printed in black and white on white maco paper and with a maximum page extent of 300 pages (120.000 words) including images (unless agreed otherwise).

Authors interested in publishing their book in Open Access can check out the funding options here. Open access books are published under a creative commons license.

Series editors


Hilde Van Gelder, KU Leuven
Alexander Streitberger, UCLouvain

Proposals

Proposals and enquiries can be sent to the series editors.

Please make use of the submission form to present the full manuscript to our board.
Authors interested in Open Access can consult the available funding options.

Links & Resources

Proposal Submission Form
Guidelines to submit a book proposal for the Lieven Gevaert Series
Open Access & Funding Options

 

What is the Table of Contents for "Situational Aesthetics"?

Preface - Alexander Streitberger

The Psychotopological Text: Victor Burgin’s Writings in Perspective - Alexander Streitberger

Conceptual Art and Photography

Questions from Alexander Streitberger to Victor Burgin

Situational Aesthetics (1969)

Work and Commentary (1973)

Lei-Feng (1974)

Photographic Practice and Art Theory (1975)

A Psychical Realism

Questions from Alexander Streitberger to Victor BurginPhotography, Phantasy, Function (1980)

Olympia (1982)

Diderot, Barthes, Vertigo (1986)

Geometry and Abjection (1987)

The City and Global Media

Questions from Alexander Streitberger to Victor Burgin

Chance Encounters: Flâneur and Détraquée in Breton’s Nadja (1990)

The City in Pieces (1993)

Shadows, Time and Family Pictures (1996)

Watergate (2000)

The Perpetual Infinite Film

Questions from Alexander Streitberger to Victor Burgin

The Noise of the Marketplace (2003)

he Time of the Panorama (2005)

Monument and Melancholia (2008)

Solito Posto (2008)

About Solito Posto (2009)

Bibliography

Index of terminology

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