Photography Performing Humor
Liesbeth Decan (Editor), Mieke Bleyen (Editor),
New perspectives on humor within photography
Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor performed in front of the camera, often specifically created for the camera, and the performative joke-work done by the medium itself. A first section explores how photography, due to its “shattering” qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices.
With artists’ pages from Paulien Oltheten, Lieven Segers and David Helbich
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: Kevin Atherton (National College of Art and Design, Dublin), Anna Corrigan and Susana S. Martins (Universidade NOVA de Lisboa), Hilde D’haeyere (KASK School of Arts of University College Ghent), Heather Diack (University of Miami), Louis Kaplan (University of Toronto), Ann Kristin Krahn (Braunschweig University of the Arts), Sandra Križić Roban (Institute of Art History, Zagreb), Esther Leslie (Birkbeck University of London), Johan Pas (Royal Academy of Fine Arts, Antwerp), Katarzyna Ruchel-Stockmans (Vrije Universiteit Brussel)
Artist’s pages by Paulien Oltheten
Acknowledgements
Introduction Mieke Bleyen & Liesbeth Decan
Part IFinding Humor in the Photographic Event
Photography and Laughter’s Shattered Articulation Esther Leslie Falling as Art: On Orchestrated Accidents in Photographic Practice in Poland Katarzyna Ruchel-Stockmans Adding a Giggle: Lee Friedlander’s Practice of the “Shadow Self-Portrait” Ann Kristin Krahn Performing the Performance Documentation Kevin Artheron
Part IIMaking Fun of Photography through Tricks and Montage
Ghosts Just for Laughs: Spirit Photography and Debunking Humor Louis Kaplan Comedy Performs Photography: Imaginations of Photography in Silent Film Comedies Hilde D’haeyere Feminism, Laughter, and Photomontage: Comedic Effect and Grete Stern’s Sueños Anna Corrigan & Susana S. Martins
Part IIIPhotographic Wit in Conceptual Art
Keeping a Straight Face: Photography and the Performance of Conceptual Art Heather Diack “No Photographs Allowed”: Conceptual Wit in Some Belgian Photo-based Artists’ Books Johan Pas Laughter Protocol: Elements of Humor in Proto- and Conceptual Photography in Croatia Sandra Križić Roban
About the Authors Artist’s pages by Lieven Segers Artist’s pages by David Helbich Colophon
The book is well designed, with black-and-white illustrations in every chapter. The essays are bookended by colourful (and humorous) ‘artist’s pages’ by Paulien Oltheten, Lieven Segers and David Helbich, demonstrating the editors’ stated commitment to giving the book ‘both a theoretical and practice-based component’(p.22). Stills from Oltheten’s La Défense, The Venturing Gaze, which open the book (Fig.9), exemplify the implicit self-reflexivity of much photographic practice. Oltheten includes subtitles of humorous comments made by the people photographed, making subjects of the camera and the photographer themselves. Bleyen’s and Decan’s book will be useful to scholars and those with an interest in photography and humour theory, as well as individuals interested more generally in the affective turn in art criticism.
Seth Graham, The Burlington Magazine | 162 | March 2020
En examinant l’humour en photographie, ce volume propose un parcours dans l’histoire du
médium et offre l’occasion aux lecteurs de multiples potentialités de découvrir, ou redécouvrir,
des corpus souvent négligés. L’intérêt de cette réflexion collective réside finalement plus dans la
revalorisation de ces objets photographiques, culturels et artistiques considérés comme anecdotiques que dans une véritable conceptualisation de ce que serait un humour performatif.
Valérie Morisson, Focales n° 4 : Photographies mises en espaces, mis à jour le 19/05/2020, URL : https://focales.univ-st-etienne.fr/index.php?id=2792
Frequently Asked Questions
What is "Photography Performing Humor" about?
New perspectives on humor within photography
Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor performed in front of the camera, often specifically created for the camera, and the performative joke-work done by the medium itself. A first section explores how photography, due to its “shattering” qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices.
With artists’ pages from Paulien Oltheten, Lieven Segers and David Helbich
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: Kevin Atherton (National College of Art and Design, Dublin), Anna Corrigan and Susana S. Martins (Universidade NOVA de Lisboa), Hilde D’haeyere (KASK School of Arts of University College Ghent), Heather Diack (University of Miami), Louis Kaplan (University of Toronto), Ann Kristin Krahn (Braunschweig University of the Arts), Sandra Križić Roban (Institute of Art History, Zagreb), Esther Leslie (Birkbeck University of London), Johan Pas (Royal Academy of Fine Arts, Antwerp), Katarzyna Ruchel-Stockmans (Vrije Universiteit Brussel)
Who edited "Photography Performing Humor"?
"Photography Performing Humor" was edited by Liesbeth Decan and Mieke Bleyen.
Liesbeth Decan teaches theory and history of photography at LUCA School of Arts Brussels, where she is also the coordinator of the research group Photography Expanded.
Mieke Bleyen is a postdoctoral researcher at the Lieven Gevaert Research Centre for Photography, Art and Visual Culture and the Institute for Cultural Studies at the KU Leuven.
Is "Photography Performing Humor" part of a series?
Yes, "Photography Performing Humor" is part of the "Lieven Gevaert Series" series. It's book 26 in the series.
The series covers four types of publications:
- outstanding monographic studies
- multi-authored volumes on a specific topic
- book length projects with artists
- translations and/or reprints of classic texts.
All books are published in English and are written for an international audience of scholars.
Format
All books in the series are published in 17*23 cm paperback with French flaps, printed in black and white on white maco paper and with a maximum page extent of 300 pages (120.000 words) including images (unless agreed otherwise).
Authors interested in publishing their book in Open Access can check out the funding options here. Open access books are published under a creative commons license.
Series editors
Hilde Van Gelder, KU Leuven
Alexander Streitberger, UCLouvain
Proposals
Proposals and enquiries can be sent to the series editors.
Please make use of the submission form to present the full manuscript to our board.
Authors interested in Open Access can consult the available funding options.
Links & Resources
What is the Table of Contents for "Photography Performing Humor"?
Artist’s pages by Paulien Oltheten
Acknowledgements
Introduction Mieke Bleyen & Liesbeth Decan
Part IFinding Humor in the Photographic Event
Photography and Laughter’s Shattered Articulation Esther Leslie Falling as Art: On Orchestrated Accidents in Photographic Practice in Poland Katarzyna Ruchel-Stockmans Adding a Giggle: Lee Friedlander’s Practice of the “Shadow Self-Portrait” Ann Kristin Krahn Performing the Performance Documentation Kevin Artheron
Part IIMaking Fun of Photography through Tricks and Montage
Ghosts Just for Laughs: Spirit Photography and Debunking Humor Louis Kaplan Comedy Performs Photography: Imaginations of Photography in Silent Film Comedies Hilde D’haeyere Feminism, Laughter, and Photomontage: Comedic Effect and Grete Stern’s Sueños Anna Corrigan & Susana S. Martins
Part IIIPhotographic Wit in Conceptual Art
Keeping a Straight Face: Photography and the Performance of Conceptual Art Heather Diack “No Photographs Allowed”: Conceptual Wit in Some Belgian Photo-based Artists’ Books Johan Pas Laughter Protocol: Elements of Humor in Proto- and Conceptual Photography in Croatia Sandra Križić Roban
About the Authors Artist’s pages by Lieven Segers Artist’s pages by David Helbich Colophon
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