Machinic Assemblages of Desire

Deleuze and Artistic Research 3

Paulo de Assis (Editor), Paolo Giudici (Editor),

Series: Orpheus Institute Series

Category: Artistic Practice, Music

Language: English

ISBN: 9789462702547

Publication date: March 1, 2021

€69.50 (including 6% VAT)

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Number of pages: 466

Size: 285 x 195 x 40 mm

Number of illustrations: 120

Guaranteed Peer Reviewed Content

Stock item: 140590

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Series: Orpheus Institute Series

Category: Artistic Practice, Music

Language: English

DOI: 10.11116/9789461663603

ISBN: 9789461663603

Publication date: March 1, 2021

€52.00 (including 6% VAT)

Buy Now

Number of pages: 466

Number of illustrations: 120

Guaranteed Peer Reviewed Content

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More volumes on ‘Deleuze and Artistic Research’:

Exploring “assemblage theory” in relation to the arts and to artistic research
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, “assemblage” is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept’s uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.

Contributors: Gareth Abrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, Rogério Luiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfán, Silvio Ferraz, José Gil, Barbara Glowczewski, Christoph Hubatschke, jan jagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Maïda, Thomas Nail, Tero Nauha, Alex Nowitz, Morgan O’Hara, Yota Passia, Peter Pál Pelbart, Panagiotis Roupas, Anne Sauvagnargues, Niamh Schmidtke, Chris Stover, Ron Wigglesworth, Audronė Žukauskaitė

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Editors’ Preface

Introduction: Assemblage and Artistic Research Paulo de Assis
Cartographic Recording of Discourse: Mapping as an Emergent Rhizomatic Drawing Process Ron Wigglesworth
Part 1: Music
Guattari, Consistency, and Experimental Musical Assemblages Edward Campbell
Musical Interaction in the Tetravalence Chris Stover
Time Music between Lines and Images : Time In-between Silvio Ferraz
Abstract Cartographies and Assemblages of Minimal Sound Units: A “Body-Organon”? Clara Maïda
Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism Iain Campbell
“Is Our Machines Learning Yet?”: Machine Learning’s Challenge to Improvisation and the Aesthetic George E. Lewis
Assemblages of Multivocal and Schizophonic Practices: Unleashing the Machined Voice Alex Nowitz
Travelling with Pēratape: Narrating Poetics of an Assemblage of Recording Guy Dubious
Machining the Bird Lilija Duobliene
Part 2: Art
The Dance José Gil
Kinaesthetics: From Assemblages to Fields of Circulation Thomas Nail
Ghastly Assemblages and Glittery Bodies without Organs in the Sculptures of David Altmejd Burcu Baykan
How to Dance with Robots Christoph Hubatschke
Machines with Organs: Model 5052 Vanessa Farfán
Recalcitrant Temporalities: Heterogeneous Time and the Simulated Image Paul Dolan
The Machinic Desire of Cinema Tero Nauha
Free Indirect Discourse and Assemblages: Literary Procedures in Deleuze and Guattari’s Style Annita Costa Malufe
The Intercessor or Heteronym in Gilles Deleuze and Fernando Pessoa Niall Kennedy
Part 3: Ecosophy
Assemblages, Black Holes, and Territories Ian Buchanan
Planetary Assemblages: From Organic to Inorganic and Beyond Audronė Žukauskaitė
Ethology of Images as Machinic Assemblages Anne Sauvagnargues
The Transversality of Assemblages in Indigenous Australia and Alternative Environmental Struggles in France Barbara Glowczewski
Orquestra Errante: Improvising Assemblages Facing the Totalitarian Assemblage Rogério Luiz Moraes Costa
Subjectification, Desubjectification, Assemblages Peter Pál Pelbart
The Non-art of Tehching Hsieh: Art as Life/Life as Art jan jagodzinski
Decoding Surveillance Assemblages: How to Read Li Zi-Fong’s Lines and Hong Kong’s Eyes Hsiu-ju Stacy Lo
Addressing Problems of Our Capitalist Economies through Artistic Production Niamh Schmidtke
The Milieu and the Territorial Assemblage: Insights from Architecture Gareth Abrahams
Hecate: An Apparatus for Mapping Urban Complexity
Yota Passia and Panagiotis Roupas
Appendix: Live Transmission Morgan O’Hara
Appendix: Online Materials
Notes on Contributors
Index

Paulo de Assis

Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute.

Paolo Giudici

Paolo Giudici is an artist-researcher and associated researcher at the Orpheus Institute.

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