Critical Realism in Contemporary Art
Around Allan Sekula's Photography
Hilde Van Gelder (Editor), Jan Baetens (Editor),
What is the place of Critical Realism today, given the fact that both realism and commitment in art have become highly problematic notions since at least several decades? Realism in the first place appears to be relegated to the museum of pre-modern styles and devices, safely locked-up in the toolbox of 19th-Century art history. Secondly, in our cool, postmodern times, the place for commitment has become highly confuse. The naïve confusion between Critical Realism and notions like Social(ist) Realism or Political Correctness has complexified that situation. The ambition of this volume is to position Critical Realism as clearly as possible in the current art scene. This book makes a strong plea for a critically engaged art, as it can be encountered in a most exemplary way in the work of Allan Sekula. Sekula’s oeuvre features a number of characteristics whose combination makes it unique: his iconography rediscovers and reinvents the theme of labor and his photos, on the verge between art and documentary – thus creating a kind of proto-documentary, reflect on the possibilities for the visual arts today to deliver an ‘act of criticism’. Internationally known as one of the most prominent artists engaged in this debate, Sekula’s research methods allow us to discuss the ways art can be critical about contemporary social questions without succumbing into a plain or overtly partial political statement.
INTRODUCTION
A Note on Critical Realism Today
Hilde Van Gelder, Jan Baetens
1. CRITICAL REALISM. THEORY AND PRACTICE
1. Realism and the Digital Image
W.J.T. Mitchell
2. Loops of History
Allan Sekula and Representations of Labor
Katarzyna Ruchel-Stockmans
3. Critical Realism
Text, Context and Time
David Green
2. CRITICAL REALISM. PHOTOGRAPHY AND OTHER ARTS
1. Depicting the Contemporary Artist’s Studio
Four Early Works by Bik Van der Pol
Wouter Davidts
2. Painting through Photography
Critical Reflections on the Work of Dirk Braeckman, Luc Tuymans and Anne-Mie Van Kerckhoven in the Early 1990s
Liesbeth Decan
3. Photography
Seeing Time / Experiencing Time
Maarten Vanvolsem
3. CRITICAL REALISM. INSTITUTIONS
1. Against Affirmative Culture
René Block’s Appropriation of ‘Capitalist Realism’
Catharina Manchanda
2. Beyond Compassion
How to Escape the Victim Frame in Social Documentary Photography Today
Inge Henneman
3. The Lottery of the Sea
Frits Gierstberg
EPILOGUE
1. A Debate on Critical Realism Today
Hilde Van Gelder, Jan Baetens
2. Interview with Allan Sekula
Katarzyna Ruchel-Stockmans
3. Photography as Diagnosis of Contemporaneity
Maria Giulia Dondero
PHOTOGRAPHS by Allan Sekula
SHIPWRECK AND WORKERS by Allan Sekula
THE LOTTERY OF THE SEA by Allan Sekula
Hilde Van Gelder
Hilde Van Gelder is professor of art history at KU Leuven.
Jan Baetens
Jan Baetens is professor of Literature and Cultural Studies at KU Leuven.
Frequently Asked Questions
What is "Critical Realism in Contemporary Art" about?
What is the place of Critical Realism today, given the fact that both realism and commitment in art have become highly problematic notions since at least several decades? Realism in the first place appears to be relegated to the museum of pre-modern styles and devices, safely locked-up in the toolbox of 19th-Century art history. Secondly, in our cool, postmodern times, the place for commitment has become highly confuse. The naïve confusion between Critical Realism and notions like Social(ist) Realism or Political Correctness has complexified that situation. The ambition of this volume is to position Critical Realism as clearly as possible in the current art scene. This book makes a strong plea for a critically engaged art, as it can be encountered in a most exemplary way in the work of Allan Sekula. Sekula’s oeuvre features a number of characteristics whose combination makes it unique: his iconography rediscovers and reinvents the theme of labor and his photos, on the verge between art and documentary – thus creating a kind of proto-documentary, reflect on the possibilities for the visual arts today to deliver an ‘act of criticism’. Internationally known as one of the most prominent artists engaged in this debate, Sekula’s research methods allow us to discuss the ways art can be critical about contemporary social questions without succumbing into a plain or overtly partial political statement.
Who edited "Critical Realism in Contemporary Art"?
"Critical Realism in Contemporary Art" was edited by Hilde Van Gelder and Jan Baetens.
Hilde Van Gelder is professor of art history at KU Leuven.
Jan Baetens is professor of Literature and Cultural Studies at KU Leuven.
Is "Critical Realism in Contemporary Art" part of a series?
Yes, "Critical Realism in Contemporary Art" is part of the "Lieven Gevaert Series" series. It's book 4 in the series.
The series covers four types of publications:
- outstanding monographic studies
- multi-authored volumes on a specific topic
- book length projects with artists
- translations and/or reprints of classic texts.
All books are published in English and are written for an international audience of scholars.
Format
All books in the series are published in 17*23 cm paperback with French flaps, printed in black and white on white maco paper and with a maximum page extent of 300 pages (120.000 words) including images (unless agreed otherwise).
Authors interested in publishing their book in Open Access can check out the funding options here. Open access books are published under a creative commons license.
Series editors
Hilde Van Gelder, KU Leuven
Alexander Streitberger, UCLouvain
Proposals
Proposals and enquiries can be sent to the series editors.
Please make use of the submission form to present the full manuscript to our board.
Authors interested in Open Access can consult the available funding options.
Links & Resources
What is the Table of Contents for "Critical Realism in Contemporary Art"?
INTRODUCTION
A Note on Critical Realism Today
Hilde Van Gelder, Jan Baetens
1. CRITICAL REALISM. THEORY AND PRACTICE
1. Realism and the Digital Image
W.J.T. Mitchell
2. Loops of History
Allan Sekula and Representations of Labor
Katarzyna Ruchel-Stockmans
3. Critical Realism
Text, Context and Time
David Green
2. CRITICAL REALISM. PHOTOGRAPHY AND OTHER ARTS
1. Depicting the Contemporary Artist's Studio
Four Early Works by Bik Van der Pol
Wouter Davidts
2. Painting through Photography
Critical Reflections on the Work of Dirk Braeckman, Luc Tuymans and Anne-Mie Van Kerckhoven in the Early 1990s
Liesbeth Decan
3. Photography
Seeing Time / Experiencing Time
Maarten Vanvolsem
3. CRITICAL REALISM. INSTITUTIONS
1. Against Affirmative Culture
René Block's Appropriation of 'Capitalist Realism'
Catharina Manchanda
2. Beyond Compassion
How to Escape the Victim Frame in Social Documentary Photography Today
Inge Henneman
3. The Lottery of the Sea
Frits Gierstberg
EPILOGUE
1. A Debate on Critical Realism Today
Hilde Van Gelder, Jan Baetens
2. Interview with Allan Sekula
Katarzyna Ruchel-Stockmans
3. Photography as Diagnosis of Contemporaneity
Maria Giulia Dondero
PHOTOGRAPHS by Allan Sekula
SHIPWRECK AND WORKERS by Allan Sekula
THE LOTTERY OF THE SEA by Allan Sekula
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