Music Theory and Analysis Volume 12 Issue 2, 2025 (Journal Subscription)
John Koslovsky (Editor), Markus Neuwirth (Editor), Derek Remeš (Editor),
Volume 12 Issue 2, 2025
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
Online available via http://ingentaconnect.com/content/leuven/mta
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
**
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be**
*
Online journal with a print edition*
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Articles
Inkeri Jaakkola, Musical Expressions of Memory in Michel van der Aa’s Chamber Opera Blank Out
David Hier, The Chord Catalog: Harmony and Counterpoint in Schoenberg’s Tonal Music
Analysis Colloquy: Sonata Typology in Two Finales by George Onslow
Anne M. Hyland and Steven Vande Moortele, Introduction
Julian Horton, Rondo Form and the Phenomenological Surplus
Steven Vande Moortele, Intrinsic and Contextual Formal Functionality
Anne M. Hyland, Sonata-Rondo Hybridity and Moments of Formal Actualization
Sarah Moynihan, Developmental Proliferation and Typological Realization
Benedict Taylor, Rotations, Types, and Points of Theoretical Indeterminacy
Salami, Shrubs, and Scales: a Schenker Symposium
John Koslovsky, Introduction
Matthew Brown, Schenker’s Melodic Bass Line and the Legacy of Caccini and Peri
Daniel Ketter, Beyond Reduction: Essential-Voice Auskomponierung as Performance Pedagogy
Sarah Marlowe, Prolongation, Mixture, and Modal-Tonal Structures in Three Fugues by Dmitri Shostakovich
Frequently Asked Questions
What is "Music Theory and Analysis Volume 12 Issue 2, 2025 (Journal Subscription)" about?
Volume 12 Issue 2, 2025
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
Online available via http://ingentaconnect.com/content/leuven/mta
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
**
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be**
*
Online journal with a print edition*
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Who edited "Music Theory and Analysis Volume 12 Issue 2, 2025 (Journal Subscription)"?
"Music Theory and Analysis Volume 12 Issue 2, 2025 (Journal Subscription)" was edited by John Koslovsky, Markus Neuwirth and Derek Remeš.
John Koslovsky is Assistant Professor of Music History, Theory, and Analysis at KU Leuven, where he is Head of the Classical and Romantic period research group.
Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.
Is "Music Theory and Analysis Volume 12 Issue 2, 2025 (Journal Subscription)" part of a series?
Yes, "Music Theory and Analysis Volume 12 Issue 2, 2025 (Journal Subscription)" is part of the "Music Theory and Analysis" series.
What is the Table of Contents for "Music Theory and Analysis Volume 12 Issue 2, 2025 (Journal Subscription)"?
Articles
Inkeri Jaakkola, Musical Expressions of Memory in Michel van der Aa’s Chamber Opera Blank Out
David Hier, The Chord Catalog: Harmony and Counterpoint in Schoenberg’s Tonal Music
Analysis Colloquy: Sonata Typology in Two Finales by George Onslow
Anne M. Hyland and Steven Vande Moortele, Introduction
Julian Horton, Rondo Form and the Phenomenological Surplus
Steven Vande Moortele, Intrinsic and Contextual Formal Functionality
Anne M. Hyland, Sonata-Rondo Hybridity and Moments of Formal Actualization
Sarah Moynihan, Developmental Proliferation and Typological Realization
Benedict Taylor, Rotations, Types, and Points of Theoretical Indeterminacy
Salami, Shrubs, and Scales: a Schenker Symposium
John Koslovsky, Introduction
Matthew Brown, Schenker’s Melodic Bass Line and the Legacy of Caccini and Peri
Daniel Ketter, Beyond Reduction: Essential-Voice Auskomponierung as Performance Pedagogy
Sarah Marlowe, Prolongation, Mixture, and Modal-Tonal Structures in Three Fugues by Dmitri Shostakovich
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