Music Theory and Analysis Volume 11 Issue 2, 2024 (Journal Subscription)
John Koslovsky (Editor), Markus Neuwirth (Editor), Derek Remeš (Editor),
Volume 11 Issue 2, 2024
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
Online available via http://ingentaconnect.com/content/leuven/mta
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
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For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be**
*
Online journal with a print edition*
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Table of Contents Music Theory & Analysis | Volume 11, #II – october 2024
Articles
Ben Duinker, Teaching Form from the Performer’s Perspective
Caleb Mutch, Re-quantifying W. C. Printz’s Concept of Quantitas Intrinseca
Alon Schab, Vivaldi’s Opus 10 and his Chamber Concertos: A Study in Comparative Orchestration
W. Dean Sutcliffe, Haydn’s Wandering Sextuplets and Ideals of Melodic Eloquence
Vignettes
Xieyi (Abby) Zhang, Mutable Modes and Reinterpretable Recapitulations: Analytical Vignette of the Second Movement from Dvořák’s Piano Trio in F minor, Op. 65
Bjørnar Utne-Reitan, A Piece of Poetry? Agathe Backer Grøndahl’s “Sérénade”
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