(Dis)embodying Myths in Ancien Régime Opera

Multidisciplinary Perspectives

Bruno Forment (Editor),

Category: History, History 1500-1800, Music

Language: English

ISBN: 9789058679000

Publication date: April 20, 2012

€29.50 (including 6% VAT)

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Number of pages: 184

Size: 230 x 170 x 10 mm

Guaranteed Peer Reviewed Content

Stock item: 66119

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Category: History, History 1500-1800, Music

Language: English

DOI: 10.11116/9789461660572

ISBN: 9789461660572

Publication date: April 20, 2012

€22.00 (including 6% VAT)

Buy Now

Number of pages: 184

Guaranteed Peer Reviewed Content

Stock item: 66119

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The role of mythology in Ancien Régime opera

Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi’s La favola d’Orfeo (1607) and Christoph Gluck’s Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth’s chameleonic life in the Italian dramma per musica and French tragédie en musique of the seventeenth and eighteenth centuries.

Written by eminent scholars in the fields of music, literature, theatre, and cultural studies, the six essays in this book address important questions. Through what ideological lenses did the Ancien Régime perceive an ancient legacy that was fundamentally pagan and fictitious, as opposed to Christian and rationalistic? What dramaturgies did librettists and composers devise to adapt mythical topics to altering philosophical and esthetic doctrines? Were the ancients’ precepts obeyed or precisely overridden by the age of ‘classicism’? And how could myths be made to fit changing modes of spectatorship?

Enlightening and wide-ranging on an essentially multidisciplinary development in European culture, (Dis)embodying Myths in Ancien Régime Opera will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Music examples and illustrations

Preface

Lo scherno degli dei
Myth and derision in the dramma per musica of the seventeenth century
Jean-François Lattarico

Helpings from the great banquets of epic
Handel’s Teseo and Arianna in Creta
Robert C. Ketterer

Envoicing the divine
Oracles in lyric and spoken drama in seventeenth-century France
Geoffrey Burgess

Addressing the divine
The ‘numinous’ accompagnato in opera seria
Bruno Forment

Iphigenia’s curious ménage à trois in myth, drama, and opera
Reinhard Strohm

Spectatorship and involvement in Gluck’s
Iphigénie en Tauride
Bram van Oostveldt

Bibliography

Contributors’ biographies

Index

Bruno FormentORCID icon

Bruno Forment is the principal investigator of the ‘Resounding Libraries’ research cluster at Orpheus Instituut and the Leader of the ‘Performances’ Working Group in the European COST Action EarlyMuse.

'(Dis)embodying Myths in Ancien Régime Opera' is an attractive volume that offers useful critical perspectives on seventeenth- and eighteenth-century opera, and is a welcome and stimulating addition to early opera studies. For those already engaged in such work, nevertheless, its leanness also serves as a reminder of how much progress is still to be made in this area.
Michael Lee, Eighteenth Century Music, Volume 10, Issue 02, September 2013, pp 287-289 doi:10.1017/S1478570613000080

The articles are generally of high quality [...] the volume is an important contribution to our knowledge of opera in the Ancien Régime. Buford Norman, Emeritus University of South Carolina, Columbia, SC, USA, The Seventeenth Century, 29:4, 438-439

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