Colonial Legacies

This book constitutes an outstanding contribution to the study of contemporary African art and historiography of the DRC. In its painstaking analysis of past and present images, it offers a timely analysis of Congolese culture and politics.
Pierre-Philippe Fraiture, French Studies, 2023, knad010, https://doi.org/10.1093/fs/knad010

"... the book’s forte lays in the author’s careful method of close reading. Nugent rightfully prides herself for her attention to visual details. She reads artworks both along and against the grain, by zooming in on images, paying attention to their materiality, tracking their transformations and alterations, looking at the margins. Her book’s argumentative power also comes from its careful consideration of the historical scholarship on the Congo, as well as its rich theoretical apparatus. These foundations enable Nugent to contribute both to Congolese studies and to current scholarly conversations, on questions including visuality, memory, violence, technopolitics, and the body ... the book offers a highly stimulating study of critical artistic interventions ... It will appeal to readers interested in Congolese history, contemporary art, photography, and the making of new archives for the present."
Pedro Monaville, African Arts (2023) 56 (2): 93–95, https://doi.org/10.1162/afar_r_00713

The real heart of this book, which makes an interesting contribution to the study of a highly dynamic contemporary Congolese art scene, lies with its delicate unpacking of the past futures the art under discussion renders visible. - Sarah Van Beurden, H-France Review Vol. 23 (August 2023), No. 136, https://h-france.net/vol23reviews/vol23_no136_VanBeurden.pdf

Colonial Legacies... makes a compelling argument about how art provides a way to open discussions about the complex and lasting effects of colonial violence... Colonial Legacies invites readers to pay close attention to the ‘Futures that never arrived, but were once imagined’ and how they continue to ‘glimmer’ (145) in the works of contemporary visual artists, which, as Nugent writes, help us to see both the past and present anew (154). - Kylie Thomas, bmgn — Low Countries Historical Review | Volume 139 (2024) | review 14, https://bmgn-lchr.nl/article/view/18722/20712

Il comble un manque, ouvre et éduque notre regard, tant et si bien qu’on peut le considérer comme une lecture indispensable à la compréhension des tendances qui prévalent actuellement chez les vidéastes et les photo- graphes congolais. G. Nugent a choisi les œuvres commentées avec beau- coup d’à-propos, elle les analyse avec finesse et intelligence, et établit entre elles des liens pertinents. L’érudition dont elle fait montre n’exclut pas un style limpide, propre à captiver son lecteur. Nous ne pouvons donc qu’es- pérer que ce livre sera traduit en français afin de toucher un plus vaste public en Europe et en Afrique. - Thérèse De Raedt, Études littéraires africaines, Number 55, 2023, p. 227–229, https://www.erudit.org/fr/revues/ela/2023-n55-ela08791/1106493ar/