Orpheus Institute Series

GPRC
Throughout the Orpheus Institute’s various activities there is a clear focus on the development of a new research discipline in the arts, one that addresses questions and topics that are at the heart of musical practice, building on the unique expertise and perspectives of musicians and in constant dialogue with more established research disciplines.

Within this context, the Orpheus Institute launched an international Research Centre in 2007 that acts as a stable constituent within an ever-growing field of enquiry. The Orpheus Research Centre is a place where musical artists can fruitfully conduct individual and collaborative research on issues that are of concern to all involved in artistic practice. It is important that at the centre of the international Orpheus Institute network is a place, a building, a community. As the concepts and methodologies of artistic research in music have evolved, work at Orpheus Institute has found new structures. Since 2012, research has been consolidated into a number of groups focused on specific areas, each led by a principal investigator of substantial international reputation as a practicing musician. The work of Orpheus Institute is disseminated through events, publications and musical performances, and through its active animation of discussion within the sector.

This series of peer-reviewed publications —launched in 2013— encompasses monographs by Research Fellows and associates of the Orpheus Institute, compilations of lectures, texts, and performances from seminars and study days, and edited volumes on topics arising from work at the institute. Research can be presented in digital media as well as printed texts. As a whole, the series is meant to enhance and advance discourse in the field of artistic research in music and to generate future work in this emerging and vital area of study.

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Editorial board

William Brooks (Chair, Series Editor), Peter Dejans, Jonathan Impett, Kathleen Coessens, Paulo de Assis, Heike Vermeire, Ed Crooks, Laura Cull, Aurelie Daems

Proposals

Proposals and enquiries can be sent to the series editor William Brooks.
Please make use of the submission form to present your manuscript or proposal to our board.
Authors interested in Open Access can consult the available funding options.

Links & Resources

Proposal Submission Form
Open Access & Funding Options
Book cover for the book Powers of Divergence Powers of Divergence

Lucia D'Errico (Author),

July 2018

Book cover for the book Transpositions Transpositions

Michael Schwab (Editor),

July 2018

Book cover for the book The Dark Precursor The Dark Precursor

Paulo de Assis (Preface byEditor), Paolo Giudici (Editor),

February 2018

Book cover for the book Experimental Encounters in Music and Beyond Experimental Encounters in Music and Beyond

Kathleen Coessens (Editor),

December 2017

Book cover for the book Artistic Research in Music: Discipline and Resistance Artistic Research in Music: Discipline and Resistance

Jonathan Impett (Introduction byEditor),

December 2017

Book cover for the book Experimental Systems – 2016 Experimental Systems – 2016

Michael Schwab (Editor),

March 2016

Book cover for the book Experimental Affinities in Music Experimental Affinities in Music

Paulo de Assis (Editor),

December 2015

Book cover for the book Artistic Experimentation in Music Artistic Experimentation in Music

Darla Crispin (Editor), Bob Gilmore (Editor),

October 2014

Book cover for the book Composing under the Skin Composing under the Skin

Paul Craenen (Author),

April 2014

Book cover for the book Sound and Score Sound and Score

Paulo de Assis (Editor), William Brooks (Editor), Kathleen Coessens (Editor),

October 2013