Archief - Tijdschrift voor Muziektheorie, 2002, Volume 7


Nummer 1
Rationalis, non Vocalis: Johannes Kepler en de Harmonie der Sferen, Dirk Griffioen [PDF]

Sophisticated Simplicity: a Study of Text and Music in the Early Songs of Georges Brassens, Simon P. Keefe [PDF]

Een zestiende-eeuwse variatie op het Ma fin est mon commencement-thema: Adriaan Willaerts Homo quidam fecit, Katelijne Schiltz [PDF]

Musiktheoretische Unterweisung in der Seminaristenausbildung: Zwei Beispiele zur musikalischen Handwerkslehre im 19. Jahrhundert, Christoph Hust [PDF]

Set-theorie, Toonklok en de P-techniek voor componisten, Maarten van Norden [PDF]

Boekbesprekingen
Sebastian Claren, Neither: Die Musik Morton Feldmans, Paul van Emmerik [PDF]

Eddie Vetter, Concentrische cirkels. Modus, affect, sfeer en tijd in een middeleeuws muziektheoretisch gedicht, Mariken Teeuwen [PDF]

Nummer 2
Musical design and siginification in Writing to Vermeer (1997-99), Yayoi Uno Everett [PDF]

Schneker analyse en onbegeleide melodie II [Schenker analysis and unaccompanied melody II], Hans Maas [PDF]

Russian Bells: from Symbol to Harmonic Model, Svetlana Neytcheva [PDF]

Boekbesprekingen
Cristle Collins Judd, Reading Renaissance Music Theory: Hearing with the Eyes, Katelijne Schiltz [PDF]

Joseph N. Straus, Stravinskys late Music, André Douw [PDF]

Discussies
History of Theory in Practice, Peter Schubert [PDF]

Teaching counterpoint with Kirnberger, Marpurg and Bach. A response to Peter Schubert, Paul Scheepers [PDF]

Questions and memories A response to Peter Schubert, Dirk Cornelis [PDF]

Some answers to Paul Scheepers and Dirk Cornelis questions, Peter Schubert [PDF]

Polyfonie en componeren, Diderik Wagenaar [PDF]

Rechtfertigung durchs Melodische allein? Structuurprincipes in Arnold Schönbergs vrij-atonaal contrapunt, Stephan Weytjens [PDF]

Nummer 3
Introduction. Seven times around a future of musicology, seven times around music and ethics, Marcel Cobussen [PDF]

A Prelude to Musical Ethics, Lawrence Kramer [PDF]

Variations on a Prelude: Commentary on Lawrence Kramer's ethical interpretation of Chopin's Prelude in Bb major, Rokus de Groot [PDF]

On Ethics and Musicology, Susan McClary [PDF]

From 9-11 to 02-02-2002. When Music(ology) Signifies, Joke Dame [PDF]

Response to Joke Dame, Susan McClary [PDF]

To Speculate On Music and/as the Sound of Différance, Geraldine Finn [PDF]

I sing the body, Ruud Welten [PDF]

Witness, Geraldine Finn [PDF]

The Ethical Nature of Musicological Fractals, Mirjana Veselinovic-Hofman [PDF]

Amongst others, Sander van Maas [PDF]

Letter to an Amsterdam Friend I, Mirjana Veselinovic-Hofman [PDF]

Letter to an Amsterdam Friend II, Marcel Cobussen [PDF]

Van Dissonant tot Tone Cluster [From Dissonance to Tone Cluster], Thérèse de Goede [PDF]

Structure and Interpretation of Rhythm and Timing, Henkjan Honing [PDF]

Boekbesprekingen
Arjan van Baest, A Semiotics of Opera, Jurrien Sligter [PDF]

Gary S. Karpinski, Aural Skills Acquisition, Paul Scheepers [PDF]

Doris Geller, Modulationslehre, Hans Maas [PDF]

Discussies
Mannes Summer Institute 2002 on Schenkerian Theory and Analysis, Clemens Kemme [PDF]

Conservatory Schenker vs. University Schenker, William Rothstein [PDF]

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