|Download the submission guidelines for authors|
The language of conduct of Music Theory & Analysis is English. Contributions should be submitted in both an editable version (.doc or .docx format) and hardcopy equivalent (.pdf format).
The five sections of MTA include:
Article written by a prominent music theorist, by invitation of the editorial board
(ca. 10,000 words, including footnotes)
Selection of ca. 3 peer-reviewed articles, possibly grouped in a thematic dossier
(5000-12,000 words, including footnotes; authors interested in publishing longer contributions should contact the editorial board)
Colloquies and analytical vignettes
Short analyses of specific pieces, peer-reviewed
(1000-3000 words; footnotes should be limited to a minimum)
Contributions concerning aspects of teaching music theory and/or analysis, such as:
teaching methods, textbooks, didactical experiments, teaching examples, programs, software, global vision of a music theory education, presentation of the global vision on music theory education within a specific institution, etc.
(variable word count, depending on type of contribution)
Selection of up to 3 reviews of recently published book on music theory and analysis
Books for review should be sent to the editorial address.
Music Theory and Analysis
Leuven University Press