Archief - Tijdschrift voor Muziektheorie, 2010, Volume 15
Nummer 1
Preface, Michiel Schuijer [PDF]
Clouds and Circles: Rotational Form in Debussy’s ‘Nuages’, James Hepokoski [PDF]
Time and Money: A New Look at the Mathematical Foundation of the Ars Nova, Dorit Tanay [PDF]
Temporal Aspects of Renaissance Polyphony: Theoretical and Analytical Considerations, Simon van Damme [PDF]
‘Ut luna’: The Moon and the Mensuration Signs in Renaissance Music, Katelijne Schiltz [PDF]
Riding the Horse: Time as a Form Generator in Frescobaldi’s Toccatas, Massimiliano Guido [PDF]
Historic Proportions: A Look at Felix Salzer’s Historical Narrative and Two Analyses of Ockeghem’s Chanson Je n’ay dueil, John Koslovsky [PDF]
From Bars to Inches (to Seconds): Timekeeping in the Music of John Cage, Jochem Valkenburg [PDF]
The Drift of Time in Elliott Carter’s Anniversary, Tiina Koivisto [PDF]
Nummer 2
“Japanese in Tradition, Western in Innovation”: Influences from Traditional Japanese Music in Toru Takemitsu’s Piano Works, Niels Chr. Hansen [PDF]
For Whom the Bells Toll: A Polyphonic Fragment in Thomas Mann’s Der Erwählte, Sabine Lichtenstein [PDF]
Leren componeren leren?: Praktijk en methodiek in het Nederlandse compositieonderwijs, Claudia Rumondor [PDF]
Boekbesprekingen
Michiel Schuijer, Analyzing Atonal Music: Pitch-Class : Set Theory and Its Contexts, Jonathan Dunsby [PDF]
Nummer 3
The Poetics of Music Theory and the Writings of Rameau and Hauptmann, Maryam A. Moshaver [PDF]
The French Time Devices Revisited, Beverly Jerold [PDF]
‘A far higher power’: Gedanken zu ideengeschichtlichen Vorgängermodellen der pitch-class set theory, Stephan Lewandowski [PDF]
Boekbesprekingen
Tobias Janz, Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners Ring des Nibelungen, Kasper van Kooten [PDF]
Kiene Brillenburg Wurth, Musically Sublime: Indeterminacy, Infinity, Irresolvability, Barbara Titus [PDF]
Terug naar overzicht archief >