Four Contemporary Perspectives on the Mozart/Da Ponte Operas
Edited by Darla Crispin and contributions by Julian Rushton, Stefan Rohringer, Sergio Durante, and James Webster
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Edited volume - paperbackVIEW Edited volume - ebook
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
- Julian Rushton
'By their arias shall ye know them': characterization in aria-based opera
- Stefan Rohringer
Don Ottavio and the history of the tenor voice
- Sergio Durante
Don Giovanni then and now: text and performance
- James Webster
The Act IV Finale of Le nozze di Figaro: Dramatic and Musical Construction
Format: Edited volume - paperback
Size: 240 × 150 × 10 mm
Publication: April 25, 2012
Series: Geschriften van het Orpheus Instituut/Collected Writings of the Orpheus Institute 10
Stock item number: 66140
Darla Crispin is a pianist and musicologist tracing perspectives from artistic research. Formerly an ORCiM Research Fellow, she is currently Associate Professor of Musicology at the Norwegian Academy of Music (NMH), Oslo.
James Webster is Goldwin Smith Professor of Music at Cornell University. He is the author of Haydn's "Farewell" Symphony and the Idea of Classical Style.
Julian Rushton is Emeritus Professor of Music at the University of Leeds and Chairman of the Editorial Committee of Musica Britannica.
Sergio Durante is Director of the Department of Art and Music History at the University of Padua.
Stefan Rohringer is Professor of Music Theory at Hochschule für Musik undÂ Theater München.