Music Theory and Analysis Volume 6 Issue 2, 2019 (Journal Subscription)

Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth

Sale

Journal - e + print

Subscribe
Volume 6 Issue 2, 2019
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
 
 
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
 
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be
 
Online journal with a print edition
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 6, # II, October 2019

Articles

Sean Atkinson, Tonality in Steve Reich’s Nagoya Marimbas

Yoel Greenberg, Tinkering with Form: On W. F. Bach’s Revisions to Two Keyboard Sonatas

Analytical vignette

Steven Vande Moortele, The Subordinate Theme in the First Movement of Schubert’s “Unfnished” Symphony

Pedagogy

Robert O. Gjerdingen, Music Theory Pedagogy: What Paul Taught Nadia

Book review

Wendelin Bitzan, Review of Felix Diergarten and Markus Neuwirth, Formenlehre: Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts


Format: Journal - e + print

Size: 254 × 178 mm

ISBN: 9789461653024

Publication: February 26, 2020

Series: Music Theory and Analysis 6.2

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.


Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
TAGS: Journal - e + print, Music