Music Theory and Analysis Volume 6 Issue 2, 2019 (Journal Subscription)
Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth
Journal - e + print
Individual online only: € 55,00
Table of Contents
Music Theory & Analysis | Volume 6, # II, October 2019
Sean Atkinson, Tonality in Steve Reich’s Nagoya Marimbas
Yoel Greenberg, Tinkering with Form: On W. F. Bach’s Revisions to Two Keyboard Sonatas
Steven Vande Moortele, The Subordinate Theme in the First Movement of Schubert’s “Unfnished” Symphony
Robert O. Gjerdingen, Music Theory Pedagogy: What Paul Taught Nadia
Wendelin Bitzan, Review of Felix Diergarten and Markus Neuwirth, Formenlehre: Ein Lese- und Arbeitsbuch zur Instrumentalmusik des 18. und 19. Jahrhunderts
Format: Journal - e + print
Size: 254 × 178 mm
Publication: February 26, 2020
Series: Music Theory and Analysis 6.2
Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.
Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.