Music Theory and Analysis Volume 6 Issue 1, 2019 (Journal Subscription)
International Journal of the Dutch-Flemish Society for Music Theory
Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth
Journal - e + print
Individual online only: € 55,00
Table of Contents
Music Theory & Analysis | Volume 6, # I, April 2019
Gilad Rabinovitch, Implicit Counterpoint in Gjerdingen’s Schemata
Uri B. Rom, “To Gild Refined Gold,” or What Mozart Didn’t Want Us to Embellish
Catherine Losada, “Nécessité d’une orientation esthétique”: Techniques of Development in the Music of Boulez
Áine Heneghan, The Theme of Webern’s Variationen für Klavier, Op. 27, Third Movement
Colloquy: Wye Allan brook’s Secular Commedia
Edmund J. Goehring, Matter over Mind in The Secular Commedia
Nathan John Martin, Of Polyps and Plenitude
James R. Currie, The Livable Eighteenth Century
Format: Journal - e + print
Size: 254 × 178 × 10 mm
Publication: November 29, 2019
Series: Music Theory and Analysis 6.1
Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.
Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.