Across Anthropology
Troubling Colonial Legacies, Museums, and the Curatorial
Edited by Margareta von Oswald and Jonas Tinius, preface by Arjun Appadurai, and afterword by Roger Sansi
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Edited volume - paperback
VIEW Edited volume - free ebook - PDF VIEW Edited volume - free ebook - ePUBReframing anthropology: contemporary art, curatorial
practice, postcolonial activism, and museums
How can we rethink
anthropology beyond itself? In this book, twenty-one artists, anthropologists,
and curators grapple with how anthropology has been formulated, thought, and
practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case
studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and
through conversations that expand these geographies and genealogies of
contemporary exhibition-making. This collection considers where and how
anthropology is troubled, mobilised, and rendered meaningful.
Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies.
Preface by Arjun Appadurai. Afterword by Roger Sansi
Contributors: Arjun Appadurai (New York University), Annette Bhagwati (Museum Rietberg, Zurich), Clémentine Deliss (Berlin), Sarah Demart (Saint-Louis University, Brussels), Natasha Ginwala (Gropius Bau, Berlin), Emmanuel Grimaud (CNRS, Paris), Aliocha Imhoff and Kantuta Quirós (Paris), Erica Lehrer (Concordia University, Montreal), Toma Muteba Luntumbue (Ecole de Recherche Graphique, Brussels), Sharon Macdonald (Humboldt-Universität zu Berlin), Wayne Modest (Research Center for Material Culture, Leiden), Bonaventure Soh Bejeng Ndikung (SAVVY Contemporary, Berlin), Margareta von Oswald (Humboldt-Universität zu Berlin), Roger Sansi (Barcelona University), Alexander Schellow (Ecole de Recherche Graphique, Brussels), Arnd Schneider (University of Oslo), Anna Seiderer (University Paris 8), Nanette Snoep (Rautenstrauch-Joest-Museum, Cologne), Nora Sternfeld (Kunsthochschule Kassel), Anne-Christine Taylor (Paris), Jonas Tinius (Humboldt-Universität zu Berlin)
Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
List of images
Acknowledgements
Introduction:
Across Anthropology
Margareta von Oswald and Jonas Tinius
Museums
and the Savage Sublime
Arjun Appadurai
Transforming
the Ethnographic : Anthropological Articulations in Museum and Heritage
Research
Sharon Macdonald
“Museums
are Investments in Critical Discomfort”
A conversation with Wayne Modest
Frontiers
of the (Non)Humanly (Un)Imaginable : Anthropological Estrangement and the
Making of Persona at the Musée du Quai Branly
Emmanuel Grimaud
“On
Decolonising Anthropological Museums : Curators Need to Take ‘Indigenous’ Forms
of Knowledge More Seriously”
A conversation
with Anne-Christine Taylor
Troubling
Colonial Epistemologies in Berlin’s Ethnologisches Museum : Provenance Research
and the Humboldt Forum
Margareta von
Oswald
“Against
the Mono-Disciplinarity of Ethnographic Museums”
A conversation with Clementine Deliss
Resisting
Extraction Politics : Afro-Belgian Claims, Women’s Activism, and the Royal
Museum for Central Africa
Sarah Demart
“Finding
Means to Cannibalise the Anthropological Museum”
A conversation with Toma Muteba Luntumbue
Animating
Collapse: Reframing Colonial Film Archives
Alexander Schellow and Anna Seiderer
“Translating
the Silence”
A conversation with le peuple qui manque
Art-Anthropology
Interventions in the Italian Post-Colony : The Scattered Colonial Body Project
Arnd Schneider
“Dissonant
Agents and Productive Refusals”
A conversation with Natasha Ginwala
Porous
Membranes : Hospitality, Alterity, and Anthropology in a Berlin District
Gallery
Jonas Tinius
“What
happens in that space in-between and beyond this relation”
A conversation with Bonaventure Soh Bejeng Ndikung
Material
Kin : “Communities of Implication” in Post-Colonial, Post-Holocaust Polish
Ethnographic Collections
Erica Lehrer
“Suggestions
for a Post-Museum”
A conversation with Nanette Snoep
Representation
of Culture(s) : Articulations of the De/Post-Colonial at the Haus der Kulturen
der Welt in Berlin
Annette Bhagwati
“How Do
We Come Together in a World that Isolates Us?”
A conversation with Nora Sternfeld
The
Trans-Anthropological, Anachronism, and the Contemporary
Roger Sansi
List of contributors
Visual constellations across the fields
Some lists to inspire the reader
Format: Edited volume - paperback
Size: 234 × 156 × 28 mm
432 pages
ISBN: 9789462702189
Publication: June 18, 2020
Languages: English
Stock item number: 135277
Jonas Tinius is a research fellow at the Centre for Anthropological Research on Museums and Heritage (CARMAH), Institute of European Ethnology, Humboldt-Universität zu Berlin.
Margareta von Oswald is a research fellow at the Centre for Anthropological Research on Museums and Heritage (CARMAH), Institute of European Ethnology, Humboldt-Universität zu Berlin.
By opening the debate up to a European perspective, with contributions related to the French, Belgium, Dutch and Italian contexts, this anthology offers a well-balanced set of statements, interviews and experiences that allow for different practices to resonate and establish common terrains of concern and enquiry. The editors have proposed a rich selection of points of view that neatly embody one of the key requests for a revision of the colonial past that its narrative be formulated through new forms of pluri-vocality, that "trouble", and thus avoid the smoothing effect of the singular institutional voice.
En ouvrant ce débat a une perspective européenne, à travers des contributions liées aux contextes français, belge, néerlandais et italien, cette anthologie offre un ensemble équilibre de déclarations, d'entretiens et d'expériences, permettant a différentes pratiques d'entrer en résonnance et d'établir des terrains communs d'intérêt et d'enquete. Les directeurs de l' ouvrage ont proposé une riche sélection de points de vue qui incarnent bien l'une des demandes clés dans la révision du passé colonial: que le récit du colonialisme soit exprimé à travers de nouvelles formes chorales qui soient « troublantes », évitant ainsi l'effet de lissage des voix institutionnelles singulières.
Felicity Bodenstein, Critique d'art 55, https://doi.org/10.4000/critiquedart.68093
I seldom came across a similarly well-reflected and convincing volume! It asks future-oriented questions across a coherent range of contributions and conversations. This original collection covers relevant exhibition and debates. It is suitable for MA programmes and PhD programmes in curatorial studies, anthropology, postcolonial studies, visual culture, material culture studies, and art.
Thomas Fillitz, University of Vienna
An extraordinarily rich and provocative collection of essays on the transformation of museums and exhibitions devoted to non-Western arts and cultures. Punctuated by interviews with path-breaking curators, the volume keeps us focused on contemporary practice—its real possibilities and constraints. The editors’ guiding concept of “trans-anthroplogy” avoids both defensive celebration and rigid critique. It opens our eyes and ears to the relational transactions, alliances, and difficult dialogues that are animating former anthropology museums today.
James Clifford, Author of Returns: Becoming Indigenous in the 21st Century