The Dark Precursor
Deleuze and Artistic Research
Edited by Paulo de Assis and Paolo Giudici, preface by Paulo de Assis, and contributions by Edward Campbell, Martin Scherzinger, Diego Castro Magas, Pascale Criton, Lois Fitch, Paolo Galli, Keir Go Gwilt, Jimmie LeBlanc, Nicolas Marty, Frédéric Mathevet, Vincent Meelberg, Gabriel Paiuk, Einar Torfi Einarsson, Steve Tromans, Mike Fletcher, Toshiya Ueno, Arno Boehler, Susanne Valerie, Zornitsa Dimitrova, Lindsay T. Gianuca, Oleg Lebedev, Tero Nauha, Catarina Pombo Nabais, Audrone Zukauskaite, Eric Alliez, Anne Sauvagnargues, Jurate Baranova, Zsuzsa Baross, Anna Barseghian, Stefan Kristensen, Lucia D'Errico, Elena Del Rio, Lilija Duobliene, Verina Gfader, John Miers, Adreis Echzehn, Elfie Miklautz, Marc Ngui, Andreia Machado Oliveira, Felix Rebolledo, Federica Pallaver, Mhairi Vari, Elisabet Yanagisawa, Manola Antoniolo, Jae Emerling, Ronny Hardliz, Andrej Radman, Ian Buchanan, Rahma Khazam, Erin Manning, Luis de Miranda, Janae Sholtz, and Mick Wilson
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Deleuze’s and Guattari’s philosophy in the field of artistic research
Gilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship.
The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Félix Guattari. Within different understandings of artistic research, the authors—composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists—map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies.
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VOLUME 1: Paulo de Assis, Arno Böhler, Edward Campbell, Diego Castro-Magas, Pascale Criton, Zornitsa Dimitrova, Lois Fitch, Mike Fletcher, Paolo Galli, Lindsay Gianoukas, Keir GoGwilt, Oleg Lebedev, Jimmie LeBlanc, Nicolas Marty, Frédéric Mathevet, Vincent Meelberg, Catarina Pombo Nabais, Tero Nauha, Gabriel Paiuk, Martin Scherzinger, Einar Torfi Einarsson, Steve Tromans, Toshiya Ueno, Susanne Valerie, Audronė Žukauskaitė
VOLUME 2: Éric Alliez, Manola Antonioli, Jūratė Baranova, Zsuzsa Baross, Anna Barseghian, Ian Buchanan, Elena del Río, Luis de Miranda, Lucia D’Errico, Lilija Duoblienė, Adreis Echzehn, Jae Emerling, Verina Gfader, Ronny Hardliz, Rahma Khazam, Stefan Kristensen, Erin Manning, John Miers, Elfie Miklautz, Marc Ngui, Andreia Oliveira, Federica Pallaver, Andrej Radman, Felix Rebolledo, Anne Sauvagnargues, Janae Sholtz, Mhairi Vari, Mick Wilson, Elisabet Yanagisawa
Format: Edited volume - ebook
Publication: February 28, 2018
Series: Orpheus Institute Series
Stock item number: 118997
Paolo Giudici is an artist-researcher living and working in Padua and an Associate Researcher at the Orpheus Institute, Ghent.
Paulo de Assis is a researcher affiliated with the Orpheus Institute of Ghent. He is an experimental performer, pianist and music philosopher, with transdisciplinary interests in composition, philosophy, psychoanalysis and epistemology.