The Leopard, the Lion, and the Cock
Colonial Memories and Monuments in Belgium
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Monograph - paperbackVIEW Monograph - ebook
The degree to which the late colonial era affected Europe has been long underappreciated, and only recently have European countries started to acknowledge not having come to terms with decolonisation. In Belgium, the past two decades have witnessed a growing awareness of the controversial episodes in the country’s colonial past. This volume examines the long-term effects and legacies of the colonial era on Belgium after 1960, the year the Congo gained its independence, and calls into question memories of the colonial past by focusing on the meaning and place of colonial monuments in public space.
The book foregrounds the enduring presence of “empire” in everyday Belgian life in the form of permanent colonial markers in bronze and stone, lieux de mémoire of the country’s history of overseas expansion. By means of photographs and explanations of major pro-colonial memorials, as well as several obscure ones, the book reveals the surprising degree to which Belgium became infused with a colonialist spirit during the colonial era.
Another key component of the analysis is an account of the varied ways in which both Dutch- and French-speaking Belgians approached the colonial past after 1960, treating memorials variously as objects of veneration, with indifference, or as symbols to be attacked or torn down. The book provides a thought-provoking reflection on culture, colonialism, and the remainders of empire in Belgium after 1960.
Free digital appendix: detailed list of monuments in Belgium linked to the country’s colonial past
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Format: Monograph - paperback
Size: 234 × 156 × 23 mm
Publication: April 11, 2019
Stock item number: 127860
Sarah Demart, H-France Review, Vol. 19 (November 2019), No. 257
Stanards studie van de verschuivingen in postkoloniale mentalités is verfrissend omdat ze naast de heftige emoties die met dekolonisatie gepaard gaan ook ruimte laat voor de onverschilligheid waarmee veel Belgen zich door het koloniale landschap bewegen. Het kolonialistische straatbeeld in België, met zijn patriottische lieux de mémoire, overleefde 1960 namelijk. De beelden die de revue passeren zijn relieken uit het koloniale tijdperk: hun esthetiek en thematiek ademen de Belgische beschavingsmissie.
Kristof Smeyers, de Nederlandse Boekengids
book is timely and will certainly be a useful contribution to the public
debate. It presents, for the first time, an impressive overview of the
colonial remnants in the Belgian land- and cityscape.
Guy Vanthemsche, Vrije Universiteit Brussel