Artistic Research in Music: Discipline and Resistance
Artists and Reseachers at the Orpheus Institute
Edited by Jonathan Impett, introduction by Jonathan Impett, and contributions by Paulo de Assis, Tom Beghin, Jo Bury, Rémy Campos, Paul Draper, Leonella Grasso Caprioli, Robert Höldrich, Esa Kirkkopelto, Kari Kurkela, Kari Kurkela, Bernard Lanskey, Don McLean, Susan Melrose, Ellie Nimeroski, Stefan Östersjö, Janet Ritterman, Frans de Ruiter, Gertrud Sandqvist, Huib Schippers, Georg Schulz, Vanessa Tomlinson, Peter Tornquist, Luk Vaes, Kevin Voets, Janneke Wesseling, and Kitty Zijlmans
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This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: Tom Beghin (Orpheus Institute, Ghent), Paulo de Assis (Orpheus Institute, Ghent), Leonella Grasso Caprioli (Conservatorio di Vicenza), Jonathan Impett (Orpheus Institute, Ghent), Esa Kirkkopelto (University of the Arts, Helsinki), Kari Kurkela (University of the Arts, Helsinki), Susan Melrose (Middlesex University, London), Stefan Östersjö (Orpheus Institute, Ghent), Gertrud Sandqvist (Malmö Art Academy), Huib Schippers, Vanessa Tomlinson, Paul Draper (Queensland Conservatorium Research Centre, Griffith University), Luk Vaes (Orpheus Institute, Ghent), Janneke Wesseling/ Kitty Zijlmans (Leiden University)
Part 1 Current Research
The C-natural That Wants to Be a C-sharp: Visions and Realities of Beethoven’s Broadwood
Thinking-through-Music: On Knowledge Production, Materiality, Embodiment, and Subjectivity in Artistic Research
Artistic Research Avant la lettre? The Case of Glenn Gould’s Brahms Concerto Interpretation
Searching for Depth in the Flat World: Art, Research, and Institutions
On Research, Truth, and the Art of Making Music: An Essay from a Psychodynamic-Philosophical Point of View
Two Decades of Artistic Research: The Antipodal Experience
Facing the Future Looking Back: Understanding Music as a Field of Knowledge One Hundred
Running in Circles, with “Music” in Mind
Q and A: Towards a Practice of Artistic Research
Posing the Question within the Framework of Artistic Research
Giving an Answer
Part 2 Institutional Perspectives
A Conversation with Jo Bury
The Impossible Unity of Musical Practice?
Artistic Research at the University of Music and Performing
From Audacious Vision to Impactful Reality: An Extraordinary Journey Worthy of Orpheus
Of Orpheus and Artistic Research
Whither Artistic Research?
The Orpheus Institute: The Driving Force behind the “Artistic Research Movement”
Making Research Sound
Conservatoires in Flux: Research in the Arts in the Flemish Conservatoires of the Twenty-First Century
Format: Edited volume - paperback
Size: 285 × 190 × 25 mm
Publication: December 04, 2017
Series: Orpheus Institute Series
Stock item number: 119333
Paulo de Assis is an artist researcher (pianist, composer, music philosopher) and a full-time research fellow at the Orpheus Institute.
Stefan Östersjö is a guitarist, chaired professor of Musical Performance in Piteå School of Music at Luleå University of Technology, and associate researcher at the Orpheus Institute, Ghent.