
Music, Analysis, Experience
New Perspectives in Musical Semiotics
Edited by Costantino Maeder and Mark Reybrouck
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Edited volume - hardback
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Contributors: Paulo Chagas (University of California, Riverside), Isaac and Zelia Chueke (Universidade Federal do Paraná, OMF/Paris-Sorbonne), Maurizio Corbella (Università degli Studi di Milano), Ian Cross (University of Cambridge), Paulo F. de Castro (CESEM/Departamento de Ciências Musicais; FCSH Universidade Nova de Lisboa), Robert S. Hatten (University of Texas at Austin), David Huron (School of Music, Ohio State University), Jamie Liddle (The Open University), Gabriele Marino (University of Turin), Dario Martinelli (Kaunas University of Technology; International Semiotics Institute), Nicolas Marty (Université Paris-Sorbonne), Maarten Nellestijn (Utrecht University), Malgorzata Pawlowska (Academy of Music in Krakow), Mônica Pedrosa de Pádua (Federal University of Minas Gerais, UFMG), Piotr Podlipniak (Adam Mickiewicz University, Poznan), Rebecca Thumpston (Keele University), Mieczyslaw Tomaszewski (Academy of Music in Krakow), Lea Maria Lucas Wierød (Aarhus University), Lawrence M. Zbikowski (University of Chicago)
Part One. Setting the Stage: Music-In-Action, Semiotics, and Intermediality
Music, Speech and Meaning in Interaction
Capturing the Music: The Thin Line Between Mediation and Interference
Performativity Through(out) Media: Analyzing Popular Music Performance in the Age of Intermediality
Part Two. Representation, Interpretation, and Meaning
Reading a Work of Music from the Perspective of Integral Interpretation
La musique au second degré : on Gérard Genette's Theory of Transtextuality and its Musical Relevance
Semiotic Narrativization Processes
Musical Understanding: Wittgenstein, Ethics, and Aesthetics
Where to Draw the Line? Representation in Intermedial Song Analysis
Part Three. Experience, Cognition, and Affect
The Ability of Tonality Recognition as One of Human-Specific Adaptations
Musical Semiotics and Analogical Reference
The Other Semiotic Legacy of Charles Sanders Peirce: Ethology and Music-Related Emotion
Part Four. Intermediality and Transdisciplinarity
The Death of Klinghoffer: From Stage to Screen
The Perception of Art Songs Through Image: A Semiotic Approach
“What Kind of Genre Do You Think We Are?” Genre Theories, Genre Names and Classes within Music Intermedial Ecology
Part Five. Analysis and Beyond
A Story or Not a Story? Pascal Dusapin's Opera Roméo & Juliette and New Ways of Musical Narratives
Authorship, Narrativity and Ideology: The Case of Lennon-McCartney
The Sublime as a Topic in Beethoven's Late Piano Sonatas
Melodic Forces and Agential Energies: An Integrative Approach to the Analysis and Expressive Interpretation of Tonal Melodies
The Embodiment of Yearning: Towards a Tripartite Theory of Musical Agency
Editors
Contributors
Format: Edited volume - hardback
Size: 240 × 160 mm
ISBN: 9789462700444
Publication: December 07, 2015
Languages: English
Stock item number: 105789
Mark Reybrouck is Professor at the Department of Musicology at KU Leuven.