Archief - Tijdschrift voor Muziektheorie, 2012, Volume 17

Nummer 1
Preface, Michiel Schuijer, Vincent Meelberg [PDF]

De intertekstualiteit van John Lewis’ ‘Milano’, Boudewijn Leeuwenberg [PDF]

Music Theory and Musical Practice: Dichotomy or Entwining?, Lieven Strobbe, Hans van Regenmortel [PDF]

Harmonisches Hören für Melodieinstrumente, Franz Zaunschirm [PDF]

Hold that Note! Teaching the Pedal Point, John Koslovsky [PDF]

On Fostering Critical Thinking in the Music Theory Classroom through Comparative Analysis and Debate, Keith Salley [PDF]

Een pleidooi voor duolessen muziekgeschiedenis/muziekanalyse, Michel Khalifa [PDF]

A Modern Anacharsis Looks at Music Theory, Peter C. Sonderen [PDF]

Nummer 2
Johann Mattheson’s ‘Invention’: Models and Influences for Rhythmic Variation in Der vollkommene Capellmeister, Markus Rathey [PDF]

Johann Philipp Kirnberger versus Friedrich Wilhelm Marpurg: A Reappraisal, Beverly Jerold [PDF]

Pauline Fairclough (ed.), Shostakovich Studies 2, Sarah Reichardt Ellis [PDF]

Anthony Gritten and Elaine King (eds), New Perspectives on Music and Gesture, Vincent Meelberg [PDF]

Chameleonic Qualities of Chromaticism: Combining Tonal and Atonal Elements in Contemporary Compositions, Jan Ezendam [PDF]

Nummer 3
Remembering Music, Lawrence M. Zbikowski [PDF]

Bulgarian Rhythms: Past, Present and Future, Borislav Petrov [PDF]

From Textbook, through Practicum, to Handbook for Teachers: Solfège Books in Serbia, Ida Vujovíc, Jelena Beočanin-Mijanoviç [PDF]

David Damschroder, Harmony in Schubert, John Koslovsky [PDF]

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