Archief - Tijdschrift voor Muziektheorie, 2006, Volume 11

Nummer 1
We Remember Clifford: Variation Technique at the Middleground, Henry Martin [PDF]

Willem Jeths’ Derde Strijkkwartet Intus trepidare, Běla Luttmer [PDF]

Wozu Musiktheorie? Versuch der Selbstbesinnung eines Fachgebietes auf seine Einzigartigkeit: Erster Teil, Hans-Ulrich Kretschmer [PDF]

Boekbesprekingen
Operation ‘Enduring Wisdom’, or:Richard Taruskin, The Oxford History of Western Music, New York etc.: Oxford University Press, 2005. ISBN 0-1951-6979-4 4175 blz. 1800 voorbeelden, Jeroen van Gessel [PDF]

Discussies
De toekomst van de muziekwetenschap: Wat is een partituur?, Mark Delaere [PDF]

Over het modernisme en de crisis van de klassieke muziek, Peter Lurvink [PDF]

Nummer 2
Form, Program, and Deformation in Liszt’s Hamlet, Steven vande Moortele [PDF]

Wozu Musiktheorie? Versuch der Selbstbesinnung eines Fachgebietes auf seine Einzigartigkeit: Zweiter Teil, Hans-Ulrich Kretschmer [PDF]

Live-elektronica onderweg naar een traditie, Jos Zwaanenburg [PDF]

Boekbesprekingen
Jane Piper Clendinning en Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis W.W. Norton, New York 2005 ISBN 0-393-97652-1 860, Suzanne Konings [PDF]

Jane Piper Clendinning en Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis – Workbook ISBN 0-393-97653-X 477 pagina’s Prijs: ca. € 30,–, Suzanne Konings [PDF]

Jane Piper Clendinning en Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis – Anthology en Recordings ISBN 0-393-92576-5 (Anthology) ISBN 0-393-10604-7 (Recordings) 260 pagina’s, 60 muziekstukken en opnamen daarvan op 3 cd’s Prijs: ca. € 60,–, Suzanne Konings [PDF]

Joel Phillips, Jane Piper Clendinning en Elizabeth West Marvin, The Musician’s Guide to Aural Skills – Volume 1 and 2 W.W. Norton, New York 2005 ISBN 0-393-97664-5 (Volume 1 met 1 cd) ISBN 0-393-92559-5 (Volume 2 met 2 cd’s) 493 en 390 pagina’s Prijs: ca. € 40,– per volume, Suzanne Konings [PDF]

Discussies
How Much Music Theory Can Music History Bear?, John Irving [PDF]

Inleiding bij de vertaling van Blanchots “Ars nova”, Gerard Broers [PDF]

Ars nova, Maurice Blanchot [PDF]

Nummer 3
In den Freiräumen der Schenkerschen Tonalität Harmonische Effekte durch Tonfelder in der Prager Sinfonie, Michael Polth [PDF]

The First-Movement Exposition of Mozart’s ‘Prague’ Symphony: Cadences, Form, and Voice-Leading Structure, Lauri Suurpää [PDF]

Circular Sequences in Mozart’s Piano Sonatas, Rudolf Rasch [PDF]

The Positives and Negatives of Hauptmann’s Theory of Meter: A Look at Mozart’s Piano Sonata in F Major, K. 332, Suzan K. de Ghizé [PDF]

August Halm – Mozartkritik um 1900, Hans-Ulrich Fuss [PDF]

The Symphonic Fugal Finale from Mozart to Bruckner, Julian Horton [PDF]

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