Music Theory and Analysis Volume 9 Issue 2, 2022 (Journal Subscription)

Edited by Markus Neuwirth, Derek Remeš, and Peter van Tour

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Journal - e + print

Volume 9 Issue 2, 2022
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
For more information or to sign up for a subscription, contact or go to
Online journal with a print edition
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Table of Contents
Music Theory & Analysis | Volume 9, # II, October 2022

Olli Väisälä, Observations on Harmony, Voice-leading, and “Idea” in Schoenberg’s Piano Piece Op. 11 No. 1
Christian Utz, Form-Functional Ambivalence in Performance: The Third Movement of Beethoven’s “Hammerklavier” Sonata in Recordings by Gulda, Brendel, and other Pianists
André Douw, Tōru Takemitsu’s A Bird came down the Walk for viola accompanied by piano: An Analysis
Aaron Sunstein, Variation Process in G.A. Frescobaldi’s Cento partite sopra passacagli (1637)

Carl Dahlhaus, On Form as Conceived in Beethoven’s Sonata in D minor, Op. 31, no. 2
Edited and translated by Nathan John Martin

Format: Journal - e + print

Size: 254 × 178 mm

ISBN: 9789461653543

Publication: October 10, 2022

Series: Music Theory and Analysis 9.2

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.