Music Theory and Analysis Volume 8 Issue 1, 2021 (Journal Subscription)

Edited by Markus Neuwirth, Derek Remeš, and Peter van Tour

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Journal - e + print

Volume 8 Issue 1, 2021
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
 
 
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
 
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be
 
Online journal with a print edition
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 8, # I, 2021

Articles

James S. MacKay, The Second Repeat in Beethoven’s Sonata-Form Movements: Tonal, Formal and Motivic Strategies

Clifton Boyd, Metrical Ambiguity in the Scherzo of Brahms’s String Sextet, Op. 18

Sean Curtice and Lydia Carlisi, A Newly Discovered Annotated Partimento Manuscript : “Rudimenti di Musica per Accompagnare del Sig.r Maestro Vignali” (1789)

John Koslovsky, Tristan und Isolde at the Margins of Music-Analytical Discourse: A Dialogic Perspective

Analytical vignettes

L. Poundie Burstein, Abwesenheit and Anwesenheit in Beethoven’s Op. 81a

Alexander Rehding, Grieg’s Sonic Afterimages

Caleb Mutch, Canons and Contestable Cadences in Brahms’s Op. 118 No. 4

Elias Van Dyck, A Multi-Layered Monolith : Beyond the Surface of Loudness in Galina Ustvolskaya’s Sixth Piano Sonata sources

Sean Curtice and Lydia Carlisi, Editors and Translators, “Rudimenti di Musica per Accompagnare del Sig.r Maestro Vignali, A. 1789 D.”

Book review

Job IJzerman, Review of Robert O. Gjerdingen, Child Composers in the Old Conservatories: How Orphans Became Elite Musicians

Format: Journal - e + print

Size: 254 × 178 mm

ISBN: 9789461653314

Publication: May 03, 2021

Series: Music Theory and Analysis 8.1

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.