Music Theory and Analysis Volume 7 Issue 2, 2020 (Journal Subscription)

Edited by Markus Neuwirth, Derek Remeš, and Peter van Tour

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Journal - e + print

Volume 7 Issue 2, 2020
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
For more information or to sign up for a subscription, contact or go to
Online journal with a print edition
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 7, # II, October 2020

Maxwell Ramage, Repetitive Variety and Other Balancing Acts: Debussy’s Transcendental Oscillations

Nathan L. Lam, Tonalité grégorienne: Musica recta as Prescriptive Harmony

Jessica Wiskus, Reassessing Lewin on the Promise of Husserl’s Phenomenology of Time-Consciousness

Andrew Aziz, The Expanded Caesura-Fill and Transcendental States in Beethoven’s “Hammerklavier” Sonata

Format: Journal - e + print

Size: 254 × 178 mm

ISBN: 9789461653222

Publication: October 12, 2020

Series: Music Theory and Analysis 7.2

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.