Music Theory and Analysis Volume 5 Issue 2, 2018 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth

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Journal - e + print

Volume 5 Issue 2, October 2018
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
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Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
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Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 5, # 2, October 2018


Zachary Cairns, Interval-Class Succession Graphs in Edison Denisov’s Sonata for Alto Saxophone and Piano

Kyle Fyr, Ravel’s Evolving Treatment of Leading Tones

Yoel Greenberg, Haydn’s Early Altered Recapitulations as Evidence of Early Sonata-Form Logic

Analytical vignette

Caitlin Martinkus, Thematic Expansion and Elements of Variation in Schubert’s C Major Symphony, D. 944/i

Christopher Segall, Rondo⇒Sonata Conversion: The Finale of Beethoven’s String Quartet in C Minor, Op. 18 No. 4


Peter Schubert, Zarlino’s First-Species Illustrations: 100% Transparent!

Book reviews 

Stephanie Probst, Review of Patrick Boenke and Birger Petersen (eds), Musikalische Logik und musikalischer Zusammenhang

Derek Remeš, Review of Johannes Menke, Kontrapunkt II: Die Musik des Barock

Format: Journal - e + print

ISBN: 9789461652805

Publication: May 06, 2019

Series: Music Theory and Analysis 5.2

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.