Music Theory and Analysis Volume 2 Issue I, 2015 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Steven Vande Moortele

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Journal - e + print

Volume 2 Issue I available April 2015
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
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Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Table of Content
Music Theory & Analysis | Volume 2, # I, April 2015

Keynote article
Patrick Mccreless, Probing the Limits: Musical Structure and Musical Rhetoric in Schubert’s String Quartet in G Major, D. 887

Lauri Suurpää, Duty or Love? Emotional and Structural Conflicts in the Opening Scenes of Mozart’s Idomeneo
Beverly Jerold, Diderot (Part II)—Temperament and Expressive Intonation

Analytical vignettes
Florian Vogt, The First Theme of Bruckner’s Seventh Symphony
Klaas Coulembier, Instrumentation and Register as Form-Articulating Features in Elliott Carter’s Concerto for Orchestra

Book Reviews
Suzannah Clark, Review of  Lauri Suurpää, Death in Winterreise: Musico-Poetic Associations in Schubert’s Song Cycle
Alex Ludwig, Review of Felix Diergarten, “Jedem Ohre klingend”: Formprinzipien in Haydns Sinfonieexpositionen

Format: Journal - e + print

146 pages

ISBN: 9789461651570

Publication: May 31, 2015

Series: Music Theory and Analysis 2.1

Languages: English

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
Steven Vande Moortele is hoofddocent muziektheorie en vice-decaan onderzoeksbeleid aan de muziekfaculteit van de University of Toronto, waar hij ook directeur is van het Centre for the Study of Nineteenth-Century Music.

Steven Vande Moortele is associate professor of music theory at the Faculty of Music at the University of Toronto, where he is also the director of the Centre for the Study of Nineteenth-Century Music.