Music Theory and Analysis Volume 2 Issue II, 2015 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Steven Vande Moortele

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Journal - e + print

Volume 2 Issue 2 available October 2015
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
 
 
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online & print: € 70,00
 
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be
 
Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Table of Content
Music Theory & Analysis | Volume 2, # 2, October 2015
 
Keynote article
Michiel SCHUIJER, Music Theorists and Societies
 
Article
Karl BRAUNSCHWEIG, Expanding the Sentence: Intersections of Theory, History, and Aesthetics
 
Analytical vignettes
Markus NEUWIRTH, Is There a “Musical Task” in the First Movement of Haydn’s “Oxford” Symphony? Voice-Leading Schemata and Intrinsic Formal Functions
Philip STOECKER, Harmony, Voice Leading, and Cyclic Structures in Thomas Adès’s “Chori”
 
Colloquium report
David LODEWYCKX, Focus on the Inner Circle: Report on the General Colloquium (Algemene Studiedag) of the Dutch-Flemish Society for Music Theory (11 April 2015, The Hague)
 
Book Reviews
Thomas CHRISTENSEN, Review of Rémy Campos, François-Joseph Fétis: musicographe
John KOSLOVSKY, Review of L. Poundie Burstein, Lynne Rogers, and Karen M. Bottge, eds, Essays from the Fourth International Schenker Symposium, volume 2.
Catherine MOTUZ, Review of Barnabé Janin, Chanter sur le livre: manuel pratique d’improvisation polyphonique de la Renaissance (15ème et 16ème siècles)

Format: Journal - e + print

Size: 254 × 178 mm

146 pages

ISBN: 9789461651730

Publication: October 31, 2015

Series: Music Theory and Analysis 2.2

Languages: English

Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.

Steven Vande Moortele is a postdoctoral fellow of the Research Foundation Flanders at the Department of Musicology of KU Leuven.