Music Theory and Analysis Volume 3 Issue I, 2016 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Steven Vande Moortele

Regular price Sale

Journal - e + print

Volume 3 Issue 1 available April 2016
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
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Institutional online only: € 115,00
Institutional online & print: € 140,00
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Individual online & print: € 70,00
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Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Table of Content
Music Theory & Analysis | Volume 3, # 1, April 2016
Andrew Hicks, Re-interpreting an Arithmetical Error in Boethius’s De institutione musica
Peter H. Smith, Cadential Content and Cadential Function in the First-Movement Expositions of Schumann’s Violin Sonatas

Analytical vignettes
Trevor de Clercq, Deconstructing the Blues in the Beatles’ “Taxman”
Francis Maes, Black Wings in Two Symphonies: Brahms’s Second and Shostakovich’s Tenth

Book Reviews
Marko Deisinger, Review of Hellmut Federhofer, Theorie als Brücke zur Praxis: Gesammelte musiktheoretische Aufsätze, edited by J. Karner
Felix Diergarten, Review of Deborah McGrady and Jennifer Bain, eds, A Companion to Guillaume de Machaut
Uri B. Rom, Review of Matthew Riley, The Viennese Minor-Key Symphony in the Age of Haydn and Mozart

Format: Journal - e + print

146 pages

ISBN: 9789461651860

Publication: May 31, 2016

Series: Music Theory and Analysis 3.1

Languages: English

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
Steven Vande Moortele is hoofddocent muziektheorie en vice-decaan onderzoeksbeleid aan de muziekfaculteit van de University of Toronto, waar hij ook directeur is van het Centre for the Study of Nineteenth-Century Music.

Steven Vande Moortele is associate professor of music theory at the Faculty of Music at the University of Toronto, where he is also the director of the Centre for the Study of Nineteenth-Century Music.