
The Housing Project
Discourses, Ideals, Models and Politics in 20th-Century Exhibitions
Edited by Gaia Caramellino and Stéphanie Dadour
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Edited volume - paperback
The
role and impact of housing exhibitions in architectural culture
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors: Tamara Bjažić Klarin, Gaia Caramellino, John Crosse, Stéphanie Dadour, Rika Devos, Fredie Floré, Johanna Hartmann, Erin McKellar, Laetitia Overney, José Parra-Martínez, Mathilde Simonsen Dahl, Eva Storgaard, Ludovica Vacirca
Introduction: Exhibiting Housing
Curating the Collective House: The Popularization of a new Housing Model in 1930s Sweden
Living, Working, Playing: Ernö Goldfinger’s Planning Exhibitions, 1943–46
Between Tradition and Modernity: Making Housing Women’s business. The Flat-Referendum, Salon des Arts Ménagers, Paris, 1959
Schooling the Eye in Modern Home Comforts: Spatial Concepts in the neues wohnen (new dwelling) Exhibition of 1949
PART 2 HOUSING EXHIBITIONS AS SITES OF MEDIATION
Multiple Modernisms: Negotiating Housing Models and Discourses during the New Deal at MoMA, 1932–1944
The American House behind the Iron Curtain: Circulating Built in USA in the Eastern bloc
Housing Exhibitions in Croatia in the 1930s and 1950s – from the Subversive Critical Platform to the Vehicle of the New Ideology
Synthesizing “the problem of the home”: The Buildings and Dwellings Pavilion at the Brussels World’s Fair of 1958
Format: Edited volume - paperback
Size: 230 × 170 × 16 mm
328 pages
ISBN: 9789462701823
Publication: March 04, 2020
Languages: English
Stock item number: 133933
Stéphanie Dadour is associate professor of history and theory of architecture at the École nationale supérieure d’architecture de Grenoble. She is a member of Laboratoire des Métiers de l’Histoire de l’Architecture (ENSAG) and of Laboratoire Architecture, Culture et Société (ENSA Paris-Malaquais UMR AUSser).