Music Theory and Analysis Volume 4 Issue II, 2017 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth and contributions by Julian Horton, Christian Utz, Kristof Boucquet, Roger Graybill, Stephen Rodgers, Jared C. Hartt, Joseph Dubiel, Marion Guck, and Bryan Parkhurst

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Journal - e + print

Volume 4 Issue 2 available October 2017
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
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Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 4, # II, October 2017

Keynote article

Julian Horton, Criteria for a Theory of Nineteenth-Century Sonata



Jared C. Hartt, The Problem of the Vitry Motet Corpus: Sonority,

Kinship, Attribution

Colloquy: Wittgenstein session

Joseph Dubiel, Marion A. Guck and Bryan Parkhurst, Hearing

As Hearing-As

Joseph Dubiel, Music Analysis and Kinds of Hearing-As

Marion A. Guck, Perceptions, Impressions: When Is Hearing “Hearing-As”?

Bryan Parkhurst, Aspects of Analysis

Analytical vignette

Stephen Rodgers, “Wo sind sie hingegangen?”: Hidden Melodies and Schubert’s “Greisengesang”


Roger Graybill, Looking to Europe: In Search of a Praxis-Based Music-Theory Pedagogy

Book reviews

Christian Utz, Review of Edward Klorman, Mozart’s Music of Friends: Social Interplay in the Chamber Works

Kristof Boucquet, Review of Alain Poirier, Les Cinq Pièces pour orchestre op. 16 d’Arnold Schoenberg

Format: Journal - e + print

ISBN: 9789461652416

Publication: November 30, 2017

Series: Music Theory and Analysis 4.II

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.