Machinic Assemblages of Desire
Deleuze and Artistic Research 3
Edited by Paulo de Assis and Paolo Giudici
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volumes on 'Deleuze and Artistic Research':
Exploring
“assemblage theory” in relation to the arts and to artistic research
The concept of
assemblage has emerged in recent decades as a central tool for describing,
analysing, and transforming dynamic systems in a variety of disciplines. Coined
by Deleuze and Guattari in relation to different fields of knowledge, human
practices, and nonhuman arrangements, “assemblage” is variously applied today
in the arts, philosophy, and human and social sciences, forming links not only
between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the
concept’s uses, transpositions, and appropriations in the arts, bringing
together the voices of artists and philosophers that have been working on and
with this topic for many years with those of emerging scholar-practitioners. The
volume embraces exciting new and reconceived artistic practices that discuss
and challenge existing assemblages, propose new practices within given
assemblages, and seek to invent totally unprecedented assemblages.
Contributors: Gareth Abrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, Rogério Luiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfán, Silvio Ferraz, José Gil, Barbara Glowczewski, Christoph Hubatschke, jan jagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Maïda, Thomas Nail, Tero Nauha, Alex Nowitz, Morgan O’Hara, Yota Passia, Peter Pál Pelbart, Panagiotis Roupas, Anne Sauvagnargues, Niamh Schmidtke, Chris Stover, Ron Wigglesworth, Audronė Žukauskaitė
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).Introduction: Assemblage and Artistic Research
Cartographic Recording of Discourse: Mapping as an Emergent Rhizomatic Drawing Process
Part 1: Music
Guattari, Consistency, and Experimental Musical Assemblages
Musical Interaction in the Tetravalence
Time Music between Lines and Images : Time In-between
Abstract Cartographies and Assemblages of Minimal Sound Units: A “Body-Organon”?
Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism
“Is Our Machines Learning Yet?”: Machine Learning’s Challenge to Improvisation and the Aesthetic
Assemblages of Multivocal and Schizophonic Practices: Unleashing the Machined Voice
Travelling with Pēratape: Narrating Poetics of an Assemblage of Recording
Machining the Bird
The Dance
Kinaesthetics: From Assemblages to Fields of Circulation
Ghastly Assemblages and Glittery Bodies without Organs in the Sculptures of David Altmejd
How to Dance with Robots
Machines with Organs: Model 5052
Recalcitrant Temporalities: Heterogeneous Time and the Simulated Image
The Machinic Desire of Cinema
Free Indirect Discourse and Assemblages: Literary Procedures in Deleuze and Guattari’s Style
The Intercessor or Heteronym in Gilles Deleuze and Fernando Pessoa
Part 3: Ecosophy
Assemblages, Black Holes, and Territories
Planetary Assemblages: From Organic to Inorganic and Beyond
Ethology of Images as Machinic Assemblages
Orquestra Errante: Improvising Assemblages Facing the Totalitarian Assemblage
Subjectification, Desubjectification, Assemblages
The Non-art of Tehching Hsieh: Art as Life/Life as Art
Decoding Surveillance Assemblages: How to Read Li Zi-Fong’s Lines and Hong Kong’s Eyes
Addressing Problems of Our Capitalist Economies through Artistic Production
The Milieu and the Territorial Assemblage: Insights from Architecture
Hecate: An Apparatus for Mapping Urban Complexity
Yota Passia and Panagiotis Roupas
Appendix: Live Transmission
Appendix: Online Materials
Notes on Contributors
Index
Format: Edited volume - ebook - PDF
466 pages
B&W illustrations
ISBN: 9789461663603
Publication: March 01, 2021
Series: Orpheus Institute Series
Languages: English
Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute.