Music Theory and Analysis Volume 7 Issue 2, 2020 (Journal Subscription)
Edited by Markus Neuwirth, Derek Remeš, and Peter van Tour
Volume 7 Issue 2, 2020
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in May and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
Online available via http://ingentaconnect.com/content/leuven/mta
Annual subscription fees*
Institutional online only: € 115,00
Institutional online & print: € 140,00
Individual online only: € 55,00
Individual online only: € 55,00
Individual online & print: € 70,00
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be
Online journal with a print edition
Bi-annually in May and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917
Table of Contents
Music Theory & Analysis | Volume 7, # II, October 2020
ArticlesMaxwell Ramage, Repetitive Variety and Other Balancing Acts: Debussy’s Transcendental Oscillations
Nathan L. Lam, Tonalité grégorienne: Musica recta as Prescriptive Harmony
Jessica Wiskus, Reassessing Lewin on the Promise of Husserl’s Phenomenology of Time-Consciousness
Andrew Aziz, The Expanded Caesura-Fill and Transcendental States in Beethoven’s “Hammerklavier” Sonata
Format: Journal - e + print
Size: 254 × 178 mm
ISBN: 9789461653222
Publication: October 12, 2020
Series: Music Theory and Analysis 7.2
Languages: English
Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.