Music Theory and Analysis Volume 5 Issue 1, 2018 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Markus Neuwirth

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Journal - e + print

Volume 5 Issue 1 available May 2018
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
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Institutional online & print: € 140,00
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Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Contents

Music Theory & Analysis | Volume 5, # I, April 2018


John Muniz, Transformation at the Margins of Tonality: Scriabin’s Seventh Piano Sonata, Op. 64

William Watson, Philippe de Vitry, Levi ben Gershon, and the Consonant Whole Tone

Analytical vignette

Scott Murphy, A Remarkable Non-Duplication of Stretto in J.S. Bach’s “The Art of Fugue”

Manfred Hermann Schmid, On the Prinner Schema and Its Name

Book reviews

Thomas Christensen, Review of Nathalie Meidhof, Alexandre Étienne Chorons Akkordlehre: Konzepte, Quellen, Verbreitung

Seth Monahan, Review of Steven Vande Moortele, The Romantic Overture and Musical Form from Rossini to Wagner

William O’Hara, Review of David Bard-Schwarz and Richard Cohn, eds., David Lewin’s Morgengruß: Text, Context, Commentary

Format: Journal - e + print

ISBN: 9789461652676

Publication: October 08, 2018

Series: Music Theory and Analysis 5.1

Languages: English

Markus Neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven.

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.