Music Theory and Analysis Volume 1 Issue I & II, 2014 (Journal Subscription)

International Journal of the Dutch-Flemish Society for Music Theory

Edited by Pieter Bergé, Nathan John Martin, and Steven Vande Moortele

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First issue available September 2014
Music Theory and Analysis (MTA) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. MTA takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and North American scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field.
 
 
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Institutional online only: € 115,00
Institutional online & print: € 140,00
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Individual online & print: € 70,00
 
For more information or to sign up for a subscription, contact orders@lup.be or go to www.mtajournal.be
 
Online journal with a print edition
Bi-annually in April and October
Online ISSN: 2295-5925
Print ISSN: 2295-5917

Table of Content
Music Theory & Analysis | Volume 1, # I & II, October 2014

Editorial
Pieter Bergé, Steven Vande Moortele, and Nathan John Martin
Music Theory—and Analysis

Keynote article
Harald Krebs, Motion and Emotion: The Expressive Use of Declamatory Irregularity in the Lieder of Richard Strauss

Articles
Beverly Jerrold, Diderot - I. Authorship and Illusion
Frank Lehman, Schubert’s SLIDEs: Tonal (Non-)Integration of a Paradoxical Transformation

Colloquy: Schema Theory and Structural Analysis
Jan Philip Sprick, Schema, Satzmodell and Topos: Reflections on Terminology
Oliver Schwab-Felisch, The Butterfly and the Artillery: Models of Listening in Schenker and Gjerdingen
Folker Froebe, Schema and Function

Analytical vignette
Nathan John Martin, Morgengruß

Pedagogy
Partimento, Waer bestu bleven? Partimento in the European Classroom: Pedagogical Considerations and Perspectives, compiled by David Lodewyckx and Pieter Bergé

Book Reviews
René Rusch, Review of Suzannah Clark, Analyzing Schubert
Felix Diergarten, Review of David Damschroder, Harmony in Haydn and Mozart

Format: Journal - e + print

146 pages

ISBN: 9789461651389

Publication: September 30, 2014

Series: Music Theory and Analysis 1.1 en 1.2

Languages: English

Nathan Martin joined the University of Michigan in 2015, having previously held postdoctoral fellowships and teaching positions at Columbia, Harvard, KU Leuven, the Hochschule für Musik Freiburg, and Yale. He received his PhD from McGill University’s Schulich School of Music in 2009.
Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.
Steven Vande Moortele is hoofddocent muziektheorie en vice-decaan onderzoeksbeleid aan de muziekfaculteit van de University of Toronto, waar hij ook directeur is van het Centre for the Study of Nineteenth-Century Music.

Steven Vande Moortele is associate professor of music theory at the Faculty of Music at the University of Toronto, where he is also the director of the Centre for the Study of Nineteenth-Century Music.


TAGS: Journal - e + print, Music
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