News

Hybrid Event | History, Memory and Archives: Contemporary Lens-Based Art from the Democratic Republic of Congo, 8 March, Oxford

Hybrid Event | History, Memory and Archives: Contemporary Lens-Based Art from the Democratic Republic of Congo, 8 March, Oxford
Drawing from her book 'Colonial Legacies' Gabriella Nugent discusses the ways in which contemporary artists born or based in Congo, such as Sammy Baloji, Michèle Magema and Georges Senga, have deployed archival material to contest dominant narratives around the colonial and immediate post-independence past.

LATEST CATALOGUE

Latest Catalogue

LATEST PRODUCTS

  • Urban Culture and the Modern City
  • Summa (Quaestiones ordinariae) art. LXIII-LXVII
  • Collecting Asian Art
  • Ubuntu
  • Beyond the Translator’s Invisibility
  • European Philosophy
  • Alles verandert altijd - Herziene editie
  • An Opaque Mirror for Trajan
  • Building a White Nation
  • Contested Legacies
  • Newcomers Navigating the Welfare State
  • Georges Bizet
  • De circulaire economie in de vroegmoderne Nederlanden
  • Muslim Marriage and Non-Marriage
  • Modern Etruscans
  • Documenting Ancient Sagalassos
  • Watching, Waiting
  • Catholicism and the Welfare State in Secular France
  • Dirk Lauwaert. Selected Writings, 1983-2008
  • Francis Alÿs. The Nature of the Game
  • The Belgian Photonovel, 1954-1985
  • Epicureanism and Scientific Debates. Antiquity and Late Reception
  • Van hof naar kapel
  • Landscapes of Liberation
  • The Book of Requiems, 1550-1650
  • Adellijk en artistiek
  • Silver Empowerment
  • Building Collaborative Governance in Times of Uncertainty
  • Islamophobia as a Form of Radicalisation
  • Ongelijkheid
  • TSEG - Volume 19 - Issue 2 - 2022
  • Living Politics in the City
  • Unfinished Histories
  • Immanent Transcendence
  • History of Japanese Art after 1945
  • Anarchy of the Body
  • Exploring the Transnational Neighbourhood
  • Stilte in de klas
  • Absent Presences in the Colonial Archive
  • Tot de bodem